Kategoria BISAC: Law >> Intellectual Property - General

"The Legal and Moral Rights of All Artists" is a clear, jargon-free explanation of the crucial concepts every artist needs to know, such as copyright, trademark,...

"The Legal and Moral Rights of All Artists" is a clear, jargon-free explanation of the crucial concepts every artist needs to know, such as copyright, trademark,...

Who owns your genetic information? Might it be the doctors who, in the course of removing your spleen, decode a few cells and turn them into a patented product? In 1990 the Supreme Court of California said yes, marking another milestone on the information superhighway. This extraordinary case is one of the many that James Boyle takes up in Shamans, Software, and Spleens, a timely look at the infinitely tricky problems posed by the information society. Discussing topics ranging from blackmail and insider trading to artificial intelligence (with good-humored stops in microeconomics,...

Joseph J. Kockelmans divides the selections into several sections. Part 1, from 17861850, includes chapters by Immanuel...

In this scholarly yet highly accessible work, Eva Hemmungs WirtEn traces three main themes within the scope of cultural ownership: authorship as one of the basic features of print culture, the use of intellectual property rights as a privileged instrument of control, and finally globalization as a pre-condition under which both operate. Underwritten by rapid technological change and increased global interdependence, intellectual property rights are designed to protect a production that is no longer industrial, but informational.

No Trespassing tells the story of a century...

In this scholarly yet highly accessible work, Eva Hemmungs Wirten traces three main themes within the scope of cultural ownership: authorship as one of the basic features of print culture, the use of intellectual property rights as a privileged instrument of control, and finally globalization as a pre-condition under which both operate. Underwritten by rapid technological change and increased global interdependence, intellectual property rights are designed to protect a production that is no longer industrial, but informational.

No Trespassing tells the story of a century of...

Copyright and intellectual property issues are intricately woven into any written work, but the precise nature of this relationship has plagued authors, printers, and booksellers for centuries. What does it mean to own the products of our intellectual labors in our own time? And what was the meaning three centuries ago, when copyright laws were first put into place?

Jody Greene argues that while "owning" one's book is critical to the development of modern notions of authorship, studies of authorial property rights have in fact lost sight of the most critical valence of owning in early...

• Includes nine state-of-the-art survey papers including contributions from Jerry Hausman, Gregory K. Leonard, Dora Marinova, Margaret Raven, and Richard Watt
  
• Evaluates the relationships between...

His great grandfather and his grandfather had been presidents of the United States, and to a small boy this seemed a matter of course in his family. But Henry Adams, belonging to a later generation, coming to maturity at the time of the Civil War, found himself in an age uncongenial to the leadership of such men as his ancestors. In the changing world of the late nineteenth century and early twentieth century, Adams found his rightful place as an observer and critic rather than a participant in public life. But no time and no country ever had a keener mind to take note of the comic and...