Kategoria BISAC: Language Arts & Disciplines >> Editing & Proofreading

The worlds of readers and writers on the one hand and listeners and speakers on the other differ in many ways. What happens when the stories, beliefs, or histories of North American Native people, many traditionally communicated orally, are transferred to paper or other media? Why do tellers, teachers, editors, filmmakers, and translators undertake this work? What do the words mean for different audiences? How can they be most effectively and responsibly presented and interpreted? This collection of essays confronts these and other issues that arise in attempting to record oral cultures...

Stookey seeks to relieve the anxiety of inexperienced leaders of public prayer and the discomfort of those with and for whom they pray in this practical guide to the art of praying in public.

The book has three parts. First, Stookey offers reflections on the nature of prayer, utilizing the image of a flow of energy. Second, he discusses the forms, mechanics, and vocabularies of prayer. His analysis brims with insight and practical application. Third, and most importantly, he provides concrete exercises in editing prayers. The reader is challenged to mark prayer texts and then to...

In What Editors Do, Peter Ginna gathers essays from twenty-seven leading figures in book publishing about their work. Representing both large houses and small, and encompassing trade, textbook, academic, and children's publishing, the...

In The Book Unbound, scholars and editors examine how best to use new technological tools and new methodologies with artefacts of medieval literature and culture. Taking into consideration English, French, Anglo-Norman, and Latin texts from several periods, the contributors examine and re-evaluate traditional approaches to and conclusions about medieval books and the cultural texts they contain - literary, dramatic, legal, historical, and musical. The essays range from detailed examinations of specific codices to broader theoretical discussions on past and present editorial...

"When I found these cigarettes you had left I thought at first to keep them as a remembrance. But I am far from needing a remembrance." --From Max Perkins's first letter to Elizabeth Lemmon, dated 14 April 1922

Maxwell E. Perkins, famed editor of such literary luminaries as F. Scott Fitzgerald, Ernest Hemingway, Zora Neale Hurston, Marjorie Kinnan Rawlings, and Thomas Wolfe, was a man whose personal and professional lives often intersected. Nowhere is this more evident than in his correspondence with Elizabeth Lemmon, the Virginia socialite who became his long-distance confidante....