Kategoria BISAC: Gardening >> Garden Design

Almost eighty years after her death, Gertrude Jekyll (1843-1932) is still one of the most influential of all English garden designers. Best known for her superb use of colour schemes in her hallmark flower borders, she combined an early training in art with self taught horticultural skills. Early influences included William Morris, John Ruskin and William Robinson but it is her partnership with the architect Edwin Lutyens that produced some of the most distinctive of Edwardian houses and gardens. From her house (and nursery) at Munstead Wood, Surrey, Jekyll designed over 400 gardens across...

Like their penchant for clubs, cricket, and hunting, the planting of English gardens by the British in India reflected an understandable need on the part of expatriates to replicate home as much as possible in an alien environment. In "Flora's Empire," Eugenia W. Herbert argues that more than simple nostalgia or homesickness lay at the root of this "garden imperialism," however. Drawing on a wealth of period illustrations and personal accounts, many of them little known, she traces the significance of gardens in the long history of British relations with the subcontinent. To British eyes,...

The gardens of Versailles are perhaps the most famous in the world. Seemingly open to the horizon, their scale is monumental. Their grand east-west axis celebrates the Sun King, even as they offer an expression of the scientific spirit of the age in their geometrical layout and exploitation of the optical properties of reflecting water. The original park design, realized by Andre Le Notre, a few advisers, and Louis XIV himself author of "The Way to Present the Gardens of Versailles" remains largely intact. Yet Louis XV made his own original contribution to the gardens at the Trianon, where...

As much as the nineteenth and early twentieth century gardens and their designs were a product and representation of industrialisation and urbanisation, they were also motors of change. Gardens became an industry in and of themselves. They were both the last resting places of the dead and cultivated plots for surv ival. Gardens were therapeutic environments regarded as civilising, socialising and assimialting institutions, and they were designed and perceived as social landscapes and community playgrounds.

Rich with symbolism, gardens were treated as the subject and the setting for...

Landscape architecture and garden-making have witnessed huge changes during the twentieth-century, and the impact of these will continue to be discussed and interpreted in the twenty-first.

New materials and responses to different social conditions, along with new attitudes to how gardens are perceived and interpreted and above all the relationship of built work to the larger landscape of territory and society - all have challenged long-held practices of garden-making, even while those same traditions continue to be at the centre of both designers and users.

The Enlightenment raised fundamental questions about what it meant to be human in a truly global world. At the heart of debates about nature, culture and history, the garden offered itself as a practical demonstration, a living experiment, and a site of debate and discourse.

The design, planting, experience and representation of contemporary gardens in Europe, China and North America reveal intense contributions to debates on aesthetics, both personal and national politics, and on the shaping of nature.

The history of the garden in the Renaissance, traced from the late fourteenth century in Italy to the death of Andre Le Notre in 1700 in France, is a story both of dynamism and codification. The period saw the emergence of what would become archetypal elements of the formal garden and the fixing of theory and language of the garden arts.

At the same time, newly important sciences, developments in engineering, as well as globalization, historicity, and theories of aesthetics were embraced in the construction of such gardens. The result was the notion of the landscape as something to...

The Middle Ages was a time of great upheaval - the period between the seventh and fourteenth centuries saw great social, political and economic change. The radically distinct cultures of the Christian West, Byzantium, Persian-influenced Islam, and al-Andalus resulted in different responses to the garden arts of antiquity and different attitudes to the natural world and its artful manipulation. Yet these cultures interacted and communicated, trading plants, myths and texts. By the fifteenth century the garden as a cultural phenomenon was immensely sophisticated and a vital element in the...

The history of gardens in antiquity is characterized by a rich mix of cultures interacting throughout Europe, Africa and Asia. This period - from the sixth century BCE to the sixth century CE - was foundational to the later periods of garden history. The emergence of advanced horticultural techniques, sustained regional and international trade routes, and centralized power structures promoted the development of highly sophisticated garden culture in both private and public contexts.

New evidence derived from archaeology and fresh analysis of literary and visual sources revises our...

"A veritable goldmine for gardeners." --Plant Talk

We've all seen gorgeous perennial gardens packed with color, texture, and multi-season interest. Designed by a professional and maintained by a crew, they are aspirational bits of beauty too difficult to attempt at home. Or are they?

The Know Maintenance Perennial Garden makes a design-magazine-worthy garden achievable at home. The new, simplified approach is made up of hardy, beautiful plants grown on a 10x14 foot grid. Each of the 62 garden plans combines complementary plants that thrive...

Illustrated with hundreds of photos by award-winning photographer Clive Nichols, and drawing on thirty years of exploration by Louisa Jones, this book offers an inspiring vision of the Mediterranean, linking cultural diversity and natural balance as discovered in its gardens, landscape design, literature, art, and architecture.