Kategoria BISAC: Crafts & Hobbies >> Pottery & Ceramics

In this book, Michael Hardy looks at the traditional handbuilding methods--pinching, coiling, slab building, and pressmolding--and explains how to do them. For many years these methods were eclipsed by throwing on a potter's wheel which came to dominate as a making method. However, in the past 30 years handbuilding has once again become a preferred technique among ceramic artists. These artists are engaged in exploring the creative possibilities that handbuilding offers, experimenting fully with and combining techniques in an effort to achieve their artistic vision. The results have...

Printmaking techniques have long been used in the pottery industry, but until comparatively recently ceramicists have tended to view the use of these techniques with disdain. Attitudes are changing rapidly now, however, as makers continue to explore creative possibilities while working with ceramic materials.

In this book, Paul Scott briefly discusses the history of ceramics and print, and then concentrates on the techniques used by contemporary ceramicists. These include: screen printing, both transfer decoration and working directly onto clay; photographic processes; sponge...

Paper clay, a plastic modeling mix of clay, paper pulp, and water, is an extraordinarily versatile material. It is easy to use, extremely strong in an unfired state, and easily repairable at nearly every stage in the forming process. The final glazed and fired result can be indistinguishable from conventional clay, except that paper clay products are much lighter in weight. This last feature is particularly useful for wall installations and delicate sculptural forms. A relatively recent development, paper clay has been a mixed blessing for sculptors. While it is extremely malleable, its...

Best known as one of the most widely used industrial ceramic techniques, slipcasting has become increasingly attractive to individual artists and craftspersons. Slip, a water and clay solution, is poured into porous molds. As the mold absorbs water from the slip, a layer of clay forms a cast. The excess slip is removed from the mold and the cast is stiffened, removed, dried, and fired in a kiln. Since the molds can be based on anything from delicate sculpture to found objects, slipcasting frees artists from the constraints of other ceramic techniques while allowing them to create multiples...

A remarkable diversity of techniques are used to treat the ceramic surface. Matthias Ostermann presents an exploration of the ceramic surface--focusing on the vessel and platter--that includes the nonfunctional, the metaphoric, the narrative, and even the sculptural. Through an examination of the works of 200 ceramicists from around the world, he provides a broad overview of contemporary techniques and approaches.

Ostermann covers a wide variety of techniques for making, decorating, and firing, as well as the full spectrum of clays and firing temperatures. Each image is accompanied...