Kategoria BISAC: Art >> Performance

Inclusive Arts Practice and Research interrogates an exciting and newly emergent field: the creative collaborations between learning-disabled and non-learning-disabled artists which are increasingly taking place in performance and the visual arts.

In "Inclusive Arts Practice" Alice Fox and Hannah Macpherson interview artists, curators and key practitioners in the UK and US. The authors introduce and articulate this new practice, and situate it in relation to associated approaches. Fox and Macpherson candidly describe the tensions and difficulties involved too, and explore how the work...

Inclusive Arts Practice and Research interrogates an exciting and newly emergent field: the creative collaborations between learning-disabled and non-learning-disabled artists which are increasingly taking place in performance and the visual arts.

In "Inclusive Arts Practice" Alice Fox and Hannah Macpherson interview artists, curators and key practitioners in the UK and US. The authors introduce and articulate this new practice, and situate it in relation to associated approaches. Fox and Macpherson candidly describe the tensions and difficulties involved too, and explore how the work...

A publishing collaboration between Gagosian Gallery and Phaidon.

An in‐depth study of painters and photographers studios with examples from the sixteenth through the twentieth centuries.

Introductory essays and catalogue entries on individual works by two experts in their respective fields John Elderfield forA"In the Studio: Paintings"Aand Peter Galassi forA"In the Studio: Photographs."

An invaluable and unprecedented art historical resource that will also appeal to a general audience.

The slipcased two‐book set accompanies simultaneous exhibitions, one each on...

In the vibrant downtown Manhattan art scene of the late 1970s and early 1980s, the Taiwanese-American artist Tehching Hsieh made a series of extraordinary performance art works. Between September 1978 and July 1986, Hsieh realized five separate one-year-long performance pieces in which he conformed to simple but highly restrictive rules throughout each entire year.

Through the course of these lifeworks, Hsieh moved from a year of solitary confinement in a sealed cell to a year in which he punched a worker's time clock in his studio every hour on the hour to a year spent living...