Kategoria BISAC: Art >> Museum Studies

Since the crisis in governance which led to a shortage of capable board members, recent years have seen the emergence of the enterprising arts organisation - a development which has led to the need for new types of board members who have a greater understanding of 'mission, money and merit' within a cultural construct.

This innovative book explores the world of the arts board member from the unique perspective of the cultural and creative industries. Using a wide range of research techniques including interviews with board members and stakeholders, board observations and...

Current discourse on Indigenous engagement in museum studies is often dominated by curatorial and academic perspectives, in which community voice, viewpoints, and reflections on their collaborations can be under-represented. This book provides a unique look at Indigenous perspectives on museum community engagement and the process of self-representation, specifically how the First Nations Elders of the Blackfoot Confederacy have worked with museums and heritage sites in Alberta, Canada, to represent their own culture and history. Situated in a post-colonial context, the case-study sites are...

This book presents the first full-length ethnographic study of museum education practices, by exploring a four-year long engagement with adult classes at a major urban art gallery in the United Kingdom. Using detailed descriptions of gallery tours, creative writing classes, and in-depth interviews with class members and gallery educators, it provides a richly layered picture of how and why experiencing and making 'art' matters. By tracing the process of creativity through the minds of the participants, the book also offers a powerful critique of the ways in which museums view themselves as...

This volume brings together a range of essays that offer a new perspective on the dynamic history of the museum as a cultural institution in South Asia. It traces the museum from its origin as a tool of colonialism and adoption as a vehicle of sovereignty in the nationalist period, till its role in the present, as it reflects the fissured identities of the post-colonial period.

The Burlington Fine Arts Club was founded in London in 1866 as a gentlemen s club with a singular remit to exhibit members art collections. Exhibitions were proposed, organized and furnished by a group of prominent members of British society who included aristocrats, artists, bankers, politicians, and museum curators. Exhibitions at their grand house in Mayfair brought many private collections and collectors to light, using members social connections to draw upon the finest and most diverse objects available. Through their unique mode of presentation, which brought museum-style display and...

Contemporary art biennials are sites of prestige, innovation and experimentation, where the category of art is meant to be in perpetual motion, rearranged and redefined, opening itself to the world and its contradictions. They are sites of a seemingly peaceful cohabitation between the elitist and the popular, where the likes of Jeff Koons encounter the likes of Guy Debord, where Angela Davis and Frantz Fanon share the same ground with neoliberal cultural policy makers and creative entrepreneurs. Building on the legacy of events that conjoin art, critical theory and counterculture, from...

Museums are public institutions with various sets of obligations to, and legacies of, individuals and communities. This volume considers theoretically and geographically varied implications of these interactions. One thread considers particular sets of objects and the historical and social pathways they have moved along: Zuni cultural objects that remain uniquely and intrinsically sacred to their originating community, despite repeated movements and decontextualizations; West African collections in the Manchester Museum that embody historical connections between their places of origin and...