This volume examines peace museums, a small and important (but often overlooked) series of museums whose numbers have multiplied world-wide in recent decades. They relate stories and display artifacts banners, diaries, and posters for example about such themes as: art and peace, antiwar histories, protest, peacekeeping and social justice and promote cultures of peace. This book introduces their different approaches from Japan, which has the largest number of sites, to Bradford, UK and Guernica, Spain. Some peace museums and centers emphasize popular peace symbols and figures, others...

Meet Dippy, one of the world's most famous dinosaur replicas

At over 85 feet long and over 100 years old, Diplodocus has fascinated and enthralled visitors since it was first revealed to an astonished public at the Natural History Museum in London in 1905. The story of how Dippy came to the Museum is one that involves danger and adventure in the harsh environment of the American Wild West, the generosity of an eccentric millionaire, and the involvement of the British royal family. With details of key dinosaur fossil finds and the latest research on Diplodocus anatomy and...

How do visitors like to experience art? What makes for an enriching museum visit? The Dallas Museum of Art undertook a groundbreaking seven-year research initiative to answer these questions, examining how people connect with art and identifying preferences and differing behaviors.

Ignite the Power of Art publishes these findings and provides a new understanding of museum visitors. It describes how these studies have been used to build attendance, enhance exhibits, and develop new programs such as the Center for Creative Connections, the online Arts Network, and the Late...

"Places of Public Memory: The Rhetoric of Museums and Memorials" is a sustained and rigorous consideration of the intersections of memory, place, and rhetoric.

While most studies on Korean nationalism centre on textual analysis, Aesthetic Constructions of Korean Nationalism offers a different approach. It looks at expositions, museums and the urban built environment at particular moments in both colonial and postcolonial eras and analyses their discursive relations in the construction of Korean nationalism. By linking concepts of visual spectacle, urban space and governmentality, this book explores how such notions made the nation imaginable to the public in both the past and the present; how they represented a new modality of seeing for...