Kategoria BISAC: Art >> Film & Video

STORY MONEY IMPACT: Funding Media for Social Change by Tracey Friesen is a practical guide for media-makers, funders, and activists who share the common goal of creating an impact with their work. Today, social-issues storytellers are sharpening their craft, while funders with finite resources focus on reach, and strategic innovators bring more robust evaluation tools. Friesen illuminates the spark at the core of these three pursuits. Structured around stories from the frontlines, Story Money Impact reveals best practices in the areas of documentary, digital content, and independent...

Story Money Impact: Funding Media for Social Change by Tracey Friesen is a practical guide for media-makers, funders, and activists who share the common goal of creating an impact with their work. Today, social-issues storytellers are sharpening their craft, while funders with finite resources focus on reach, and strategic innovators bring more robust evaluation tools. Friesen illuminates the spark at the core of these three pursuits. Structured around stories from the front lines, Story Money Impact reveals best practices in the areas of documentary, digital content, and...

The English painter, film-maker and writer Derek Jarman (1942-1994) is mainly known
for his work in the medium of film, but he always saw himself primarily as a painter.
In this study of his lesser known home movies, Super 8 films and the 'cinema of small
gestures' that Jarman developed out of them, Martin Frey discusses numerous Super 8
films as well as the films THE LAST OF ENGLAND, IN THE SHADOW OF THE SUN and
THE ANGELIC CONVERSATION. He examines Jarman's filming techniques and way of
working and also analyses influences from the fields of painting...

Traditional critics of film adaptation generally assumed a) that the written text is better than the film adaptation because the plot is more intricate and the language richer when pictorial images do not intrude; b) that films are better when particularly faithful to the original; c) that authors do not make good script writers and should not sully their imagination by writing film scripts; d) and often that American films lack the complexity of authored texts because they are sourced out of Hollywood. The 'faithfulness' view has by and large disappeared, and intertextuality is now a...

New to CINEMA 4D and looking for an accessible way to get up to speed quickly? Do you already know the basics of the software but need to know the new features or take your skills and understanding a little deeper? If so, look no further than CINEMA 4D Apprentice, your one-stop shop for learning this powerful application. With guidance that takes you beyond just the button-pushing, author Kent McQuilkin guides you through 10 core lessons, starting with the basics before moving onto more complex techniques and concepts and then tying it all together with a final project.

What's Hollywood like behind the scenes? How does real life compare to reel life? Do the stars create more drama off-screen than on? Is the local social network really full of desperate housewives? How can an English writer find work?

Setting up home in Los Angeles involved some real shocks, several of which registered really high on the Richter scale. Only in California would an entire school be taken outside on Halloween to dance to "Ghostbusters." Only in LA would an 8 year-old know that the man at the carwash had three teardrops tattooed beneath his eye because he'd killed three...

East Asia largely functions as a single film and media market, but behind it exists a multifaceted world of coproduction crossing linguistic and national borders. In Coproducing Asia, Stephanie DeBoer guides readers through a rich genealogy of regional film and media coproduction, all the while introducing innovative methods for their examination across decades, locations, and scales of production in East Asia and beyond.

Beginning with the present and moving back in time, Coproducing Asia paints a picture of the assemblages of coproduction in East Asia and...

East Asia largely functions as a single film and media market, but behind it exists a multifaceted world of coproduction crossing linguistic and national borders. In Coproducing Asia, Stephanie DeBoer guides readers through a rich genealogy of regional film and media coproduction, all the while introducing innovative methods for their examination across decades, locations, and scales of production in East Asia and beyond.

Beginning with the present and moving back in time, Coproducing Asia paints a picture of the assemblages of coproduction in East Asia and...