Kategoria BISAC: Art >> Subjects & Themes - Human Figure

Mr. Bridgman states unequivocally in his introduction that before preparing this book he had "not discovered a single volume devoted exclusively to the depicting of the hand." Apparently Mr. Bridgman has appreciated what few others have felt the human hand's great capacity for expression and the care that the artist must take to realize it. The hand changes with the age of the person, is shaped differently according to sex, reflects the type of work to which it is put, the physical health, and even the emotions of the person. To represent these distinguishing features, to capture the...

Throughout his long life, Michelangelo Buonarroti (1475-1564) never ceased to practice drawing with pen, pencil, or chalk. In the 60 years of creative activity encompassed by this volume, the artist produced scores of sketches, drawings, and studies -- nudes, heads, figure studies, Madonnas, anatomical drawings, studies of children and animals, mythical representations, and religious works. This book reproduces 46 of his finest drawings, embodying most of his artistic themes and techniques, and executed in his characteristic media of pen and ink, and red and black chalk. The extraordinary...

From the art of the Greeks to that of Renoir and Moore, this work surveys the ever-changing fashions in what has constituted the ideal nude as a basis of humanist form.

But how do you teach this skill?

Why not paint a live model to look as though his skin had been stripped off and then photograph him in multiple poses? From that idea comes Visualizing Muscles, an...

Nineteenth-century neoclassical sculpture was a highly politicized international movement. Based in Rome, many expatriate American sculptors created works that represented black female subjects in compelling and problematic ways. Rejecting pigment as dangerous and sensual, adherence to white marble abandoned the racialization of the black body by skin color.

In The Color of Stone, Charmaine A. Nelson brilliantly analyzes a key, but often neglected, aspect of neoclassical sculpture--color. Considering three major works--Hiram Powers's Greek Slave, William Wetmore...