Kategoria BISAC: Art >> Subjects & Themes - Human Figure

Anyone who has strolled through the halls of a museum knows that portraits occupy a central place in the history of art. But did portraits, as such, exist in the medieval era? Stephen Perkinson s "The Likeness of the King" challenges the canonical account of the invention of modern portrait practices, offering a case against the tendency of recent scholarship to identify likenesses of historical personages as the first modern portraits.

Unwilling to accept the anachronistic nature of these claims, Perkinson both resists and complicates grand narratives of portraiture art that ignore...

Since the late 1970s human remains in museum collections have been subject to claims and controversies, such as demands for repatriation by indigenous groups who suffered under colonization. These requests have been strongly contested by scientists who research the material and consider it unique evidence.

This book charts the influences at play on the contestation over human remains and examines the construction of this problem from a cultural perspective. It shows that claims on dead bodies are not confined to once colonized groups. A group of British Pagans, Honouring...

Acknowledging that representations of men confronting violence and pain can reinforce ideas of manly tenacity, Kent L. Brintnall also argues that they reveal the...

George Villiers, erster Herzog von Buckingham, war als Vertrauter und Gunstling gleich zweier englischer Konige - James' I. und seines Sohnes Charles' I. - politisch so einflussreich und umstritten wie im Europa des beginnenden 17. Jahrhunderts sonst vielleicht nur Kardinal Richelieu. Peter Paul Rubens und Anthonis van Dyck erhielten die Auftrage zu einer Folge von Portraits, mit welchen der Herzog dieser Wahrnehmung ein selbstgeschaffenes Bild seiner Person entgegenzusetzen suchte. Mit diesem Band nimmt die Autorin erstmals eine zusammenhangende Betrachtung der intensiven Sammler- und...

For much of early modern history, the opportunity to be immortalized in a portrait was explicitly tied to social class: only landed elite and royalty had the money and power to commission such an endeavor. But in the second half of the 16th century, access began to widen to the urban middle class, including merchants, lawyers, physicians, clergy, writers, and musicians. As portraiture proliferated in English cities and towns, the middle class gained social visibility--not just for themselves as individuals, but for their entire class or industry.

In Citizen Portrait, Tarnya...

Ausgehend vom Ingeborgpsalter, dem Codex Manesse und den Wandmalereien in der Torre Aquila in Trient werden Strukturen und Trager der Gestik im Mittelalter exemplarisch in Form von kurzen Notaten untersucht. Dabei werden zahlreiche Querverbindungen zu Literatur und Musik gezogen. Das Buch liefert so ein umfassendes Kompendium zur Entschlusselung der sprechenden Gebarden in den narrativen Zusammenhangen der mittelalterlichen Bildwelt.