Kategoria BISAC: Art >> Australian & Oceanian

We do not see empty figures and outlines; we do not move in straight lines. Everywhere we are surrounded by dapple; the geometry of our embodied lives is curviform, meandering, bi-pedal. Our personal worlds are timed, inter-positional, and contingent. But nowhere in the language of cartography and design do these ordinary experiences appear. This, Dark Writing argues, is a serious omission because they are designs on the world: architects and colonizers use their lines to construct the places where we will live. But the rectilinear streets, squares, and public spaces produced in this way...

We do not see empty figures and outlines; we do not move in straight lines. Everywhere we are surrounded by dapple; the geometry of our embodied lives is curviform, meandering, bi-pedal. Our personal worlds are timed, inter-positional, and contingent. But nowhere in the language of cartography and design do these ordinary experiences appear. This, Dark Writing argues, is a serious omission because they are designs on the world: architects and colonizers use their lines to construct the places where we will live. But the rectilinear streets, squares, and public spaces produced in this way...

This book contains forty-one color reproductions, mostly of Hu Ming's recent work, including her acclaimed 14-meter-long Relic of the New 87 Immortals, completed in 2007. It also features a lengthy introduction to Hu Ming's art by well-known Australian art historian and critic John MacDonald.

Born in Beijing in 1955, Hu Ming joined the People's Liberation Army (PLA) as a young teenager. She was granted leave to study at the Tianjin Art Academy, and on graduating was assigned work as artistic designer in the PLA's film production unit. Retiring after twenty years' service in 1985 with...

Building on historical and contemporary literature in anthropology and art theory, Lines That Connect treats pattern as a material form of thought that provokes connections between disparate things through processes of resemblance, memory, and transformation. Pattern is constantly in a state of motion as it traverses spatial and temporal divides and acts as an endless source for innovation through its inherent transformability. Graeme Were argues that it is the ideas carried by pattern's relational capacity that allows Pacific islanders to express their links to land, genealogy, and...

This richly illustrated book presents a comprehensive assessment of the display of Maori culture from the nineteenth century to today. In doing so, Exhibiting Maori traces the long journey from curio, to specimen, artifact, art and taonga (treasure). Drawing on extensive and groundbreaking research, Exhibiting Maori reveals for the first time the remarkable story of Maori resistance to, involvement in, and eventual capture of the display of their culture. Ranging across museums, world fairs, fine art, and tourism, Exhibiting Maori fuses museum studies, anthropology, and...