Kategoria BISAC: Art >> Indigenous Art of the Americas

An introduction to the textile weavings of southwestern Native Americans, the narrative history and color illustrations trace the development of weaving among the Pueblo, Navajo, and Hopi, and the Spanish colonists who settled in the Rio Grande. The reproductions of sarapes, blankets, and clothing will delight anyone who appreciates fiber handcrafts.

While blood quantum laws have been used to determine an individual's inclusion in a Native group, Eiteljorg fellowship artists have instead come to view themselves as belonging to the "Art Tribe," through the universal process of art creation and collaboration. Art Quantum presents a selection of the extraordinary work created by the five artists selected for the 2009 Eiteljorg Fellowship. In his essay on the long career of Edward Poitras (Gordon First Nation), Alfred Young Man (Cree) places Poitras's installations in the context of Metis and Indian identity as well as the White art...

The Northwest Coast totem pole captivates the imagination. From the first descriptions of these tall carved monuments, totem poles have become central icons of the Northwest Coast region and symbols of its Native inhabitants. Although many of those who gaze at these carvings assume that they are ancient artifacts, the so-called totem pole is a relatively recent artistic development, one that has become immensely important to Northwest Coast people and has simultaneously gained a common place in popular culture from fashion to the funny pages.

The Totem Pole reconstructs the...

Museums--along with books, newspapers, and Wild West shows in the 19th century, movies and television in the 20th--have shaped our perceptions of American Indians. This book brings together six prominent museum professionals--Native and non-Native--to examine the ways in which Indians and their cultures have been represented by museums in North America and to present new directions museums are already taking.

Traditional museum exhibitions of Native American art and culture often represented only the past, ignoring the living Native voice. Today, museums have begun to incorporate...

In the late 1950s, Chauncey C. Nash started collecting Inuit carvings just as the art of printmaking was being introduced in Kinngait (Cape Dorset), an Inuit community on Baffin Island in the Canadian territory of Nunavut. Nash donated some 300 prints and sculptures to Harvard s Peabody Museum one of the oldest collections of early modern Inuit art. The Peabody collection includes not only early Inuit sculpture but also many of the earliest prints on paper made by the women and men who helped propel Inuit art onto the world stage.

Author Maija M. Lutz draws from ethnology, archaeology,...

We Are Here boldly exemplifies Native American contemporary art as important, relevant, and deserving of a place in the contemporary art cannon. The five Eiteljorg Fellowship artists honored in this volume are among the Native artists creating some of the richest and most alarming art in the world. Powerful stories infused with Native history and experiences are expressed in glass, photography, performance art, and other media.

Alan Michelson's (Mohawk) glass depictions of buried history are elegant and haunting. Bonnie Devine's (Ojibwa) intricate and powerful works unfold...