Kategoria BISAC: Art >> Indigenous Art of the Americas

Although Franz Boas--one of the most influential anthropologists of the twentieth century--is best known for his voluminous writings on cultural, physical, and linguistic anthropology, he is also recognized for breaking new ground in the study of so-called primitive art. His writings on art have major historical value because they embody a profound change in art history.

Nineteenth-century scholars assumed that all art lay on a continuum from primitive to advanced: artworks of all nonliterate peoples were therefore examples of early stages of development. But Boas's case studies from...

With such words, Kiowa and Comanche people express their deep connection to their traditional lattice cradles. Prevalent from 1870 to 1930, these cradles represented a unique, yet extremely practical, art form. These "gifts of pride and love" reflected close networks, which remained intact despite the difficult transition to reservation life, new religions, government boarding schools, and allotment of tribal lands.

This book, a beautiful homage to the artisans who crafted cradleboards, includes a history of the origins of lattice cradles as well as essays by eleven descendants of...

"A superb book and one that is long overdue . A fine sampling of a unique native American artistic heritage is laid out before you, in text and in pictures, in this exciting book."--Gordon R. Willey, Peabody Museum, Harvard University

For thousands of years, the Indians of Florida created exquisite objects from the natural materials available to them--wood, bone, stone, clay, and shell. This stunning full-color book, the first devoted exclusively to the artistic achievements of the Florida aborigines, describes and pictures 116 of these masterpieces.

A brief history of the...

Miskwabik, Metal of Ritual examines the thousands of beautiful and intricate ritual works of art -- from ceremonial weaponry to delicate copper pendants and ear ornaments -- created in eastern North America before the arrival of Europeans. The first comprehensive examination of this 3,000-year-old metallurgical tradition, the book provides unique insight into the motivation of the artisans and the significance of these objects, and highlights the brilliance and sophistication of the early civilizations of the Americas.Comparing the ritual architecture and metallurgy of the original...

During much of his career, anthropologist Joe Ben Wheat (1916-1997) earned a reputation as a preeminent authority on southwestern and plains prehistory. Beginning in 1972, he turned his scientific methods and considerable talents to historical questions as well. He visited dozens of museums to study thousands of...

During his lifetime Joe Quintana was considered one of the most innovative and versatile Native silversmiths. Learning to work with metal as a shipyard welder during World War II, Quintana became a successful artist upon returning to his home at Cochiti Pueblo in New Mexico. His unique designs, craftsmanship, and attention to detail, as exemplified by the superlative collection featured here, captured the imagination of many collectors and dealers, earning him a place among the great twentieth-century silversmiths. Irma Bailey's superlative collection includes jewelry, small boxes, and...

New Mexico art patron Millicent Rogers (1902-1953) was a passionate collector who assembled a stellar collection of Navajo and Zuni silver and turquoise, Hopi silverwork, and Pueblo stone and shell jewelry during the late 1940s and early 1950s when fine late-nineteenth- and early-twentieth-century work could still be found. Her collection provided the foundation for what has become one of America's most important repositories for the aesthetic achievements of Native American artists oft he Southwest: The Millicent Rogers Museum. This lavishly illustrated book presents the museum's jewelry...