Kategoria BISAC: Art >> American - Hispanic & Latino

In 2002, art collector and philanthropist Madeleine P. Plonsker began traveling to Cuba to uncover Havana s thriving art scene. "The Light in Cuban Eyes" "Lake Forest College s Madeleine P. Plonsker Collection of Contemporary Cuban Photography "focuses on Cuban photography between 1992 and 2012. These years cover Cuba s Special Period, a desperate time resulting from the withdrawal of financial support from the former Soviet Union that continues to present day.

The fifty artists represented in this bilingual book including Juan Carlos Alom, Adrian Fernandez Milanes, Marta Maria Perez...

If Chicana/o culture was born of resistance amid assimilation and nationalistic forces, how has it evolved into the twenty-first century? This groundbreaking volume redresses the central idea of resistance in Chicana/o visual cultural expression through nine clustered discussions, each coordinating scholarly, critical, curatorial, and historical contextualizations alongside artist statements and interviews. Landmark artistic...

How do you write a history of a group that has been written out of history? In The Accidental Archives of the Royal Chicano Air Force, world-famous archaeologist La Stef and the clandestine Con Sapos Archaeological Collective track down the "facts" about the elusive RCAF, the Rebel Chicano Art Front that, through an understandable mix-up with the Royal Canadian Air Force, became the Royal Chicano Air Force.

La Stef and her fellow archaeologists document the plight and locura que cura of the RCAF, a group renowned for its fleet of adobe airplanes, ongoing subversive...

Colombia's contemporary art scene--one of the most vibrant in Latin America--nevertheless remains relatively unknown outside that country. Including ninety profiles of key players and four critical essays, Contemporary Art Colombia captures the renewed dynamism of the Colombian art world.

After fifty years of violent civil conflict, in 2002 the Colombian authorities initiated an ambitious peace process with the armed guerrillas. Between 2010 and the start of 2015, the Colombian economy saw the fastest rate of growth in Latin America, and one of the fastest in the world. This...

After World War II, the concept of borders became unsettled, especially after the rise of subaltern and multicultural studies in the 1980s. Art at the U.S.-Mexico border came to a turning point at the beginning of that decade with the election of U.S. President Ronald Reagan. Beginning with a political history of the border, with an emphasis on the Chicano movement and its art production, Ila Sheren explores the forces behind the shift in thinking about the border in the late twentieth century.

Particularly in the world of visual art, borders have come to represent a space of...

The Royal Chicano Air Force produced major works of visual art, poetry, prose, music, and performance during the second half of the twentieth century and first decades of the twenty-first. Materializing in Sacramento, California, in 1969 and established between 1970 and 1972, the RCAF helped redefine the meaning of artistic production and artwork to include community engagement projects such as breakfast programs, community art classes, and political and labor activism. The collective's work has contributed significantly both to Chicano/a civil rights activism and to Chicano/a art history,...

Home ? signaling a dwelling, residence or place of origin ? embodies one of the most basic concepts for understanding an individual or group within a larger physical and social environment. Yet home has been a little noted, although prevalent, feature in art since the 1950s, a period in which artists challenged the traditional ?object? of the visual arts through the use of material and media culture, new forms, and performative actions and processes. This volume explores works by diverse U.S. Latino and Latin American artists whose engagement with the concept of ?home? provides the basis...