Kategoria BISAC: Art >> American - Asian American & Pacific Islander

This volume presents a selection of paintings, poetry, essays, and ephemeral writings by the Chinese American modernist Yun Gee (1906-1963), together with essays about the artist.

Yun Gee arrived in San Francisco from Guangdong Province at the age of fifteen and within a few years established himself as one of the city's most daring avant-garde painters. But all of his astonishing efforts with the brush and palette ran up against an intense anti-Chinese sentiment. He seemed never to escape the high social price of being Chinese--not in San Francisco, Paris, or New York,...

Best known as a painter and theater artist, Roger Shimomura explores his Japanese American identity through a vibrant and provocative stylistic combination of twentieth-century American pop art and traditional eighteenth- and nineteenth-century Japanese woodblock prints. In his printed works, one discovers a number of firsts, among them the artist's first examination of place; his first attempt to combat stereotypes by appropriating racist caricatures; and his first use of explicitly sexual imagery.

This catalogue raisonne is also a first. Featuring color reproductions of all the...

This beautiful and poignant biography of Issei artist Kamekichi Tokita uses his paintings and wartime diary to vividly illustrate the experiences, uncertainties, joys, and anxieties of Japanese Americans during the World War II internment and the more optimistic times that preceded it. Tokita emigrated from Japan in the early twentieth century and settled in Seattle's Japanese American immigrant community. By the 1930s, he was established as a prominent member of the Northwest art scene and allied with the region's progressive artists. His art shares qualities of American Realism while it...

War Baby / Love Child examines hybrid Asian American identity through a collection of essays, artworks, and interviews at the intersection of critical mixed race studies and contemporary art. The book pairs artwork and interviews with nineteen emerging, mid-career, and established mixed race/mixed heritage Asian American artists, including Li-lan and Kip Fulbeck, with scholarly essays exploring such topics as Vietnamese Amerasians, Korean transracial adoptions, and multiethnic Hawai'i. As an increasingly ethnically ambiguous Asian American generation is coming of age in an era of...

Third place in the Association for Borderlands Studies Best Book Award

Pairing image and text, Troubling Borders showcases creative writing and visual artworks by sixty-one women of Vietnamese, Cambodian, Lao, Thai, and Filipino ancestry. The collection features compelling storytelling that troubles the borders of categorization and reflects the multilayered experience of Southeast Asian women.

The diverse voices featured here have been shaped by colonization, wars, globalization, and militarization. For some of these women on the margins of the margin, crafting and...

Malvin Gray Johnson, Yasuo Kuniyoshi, and Max Weber were three New York City artists whose work was popularly assigned to the category of "racial art" in the interwar years of the twentieth century. The term was widely used by critics and the public at the time, and was an unexamined, unquestioned category for the work of non-whites (such as Johnson, an African American), non-Westerners (such as Kuniyoshi, a Japanese-born American), and ethnicized non-Christians (such as Weber, a Russian-born Jewish American). The discourse on racial art is a troubling chapter in the history of early...

Malvin Gray Johnson, Yasuo Kuniyoshi, and Max Weber were three New York City artists whose work was popularly assigned to the category of "racial art" in the interwar years of the twentieth century. The term was widely used by critics and the public at the time, and was an unexamined, unquestioned category for the work of non-whites (such as Johnson, an African American), non-Westerners (such as Kuniyoshi, a Japanese-born American), and ethnicized non-Christians (such as Weber, a Russian-born Jewish American). The discourse on racial art is a troubling chapter in the history of early...

In The Other American Moderns, ShiPu Wang analyzes the works of four early twentieth-century American artists who engaged with the concept of "Americanness" Frank Matsura, Eitarō Ishigaki, Hideo Noda, and Miki Hayakawa. In so doing, he recasts notions of minority artists' contributions to modernism and American culture.

Wang presents comparative studies of these four artists' figurative works that feature Native Americans, African Americans, and other racial and ethnic minorities, including Matsura and Susan Timento Pose at Studio (ca. 1912), The Bonus...