Kategoria BISAC: Art >> Sculpture & Installation

'Memorialisation and the Cornish Funeral Monument Industry 1497-1660' presents an extensive appraisal of several cohesive style groups of monuments, being the products of specific monument workshops in Cornwall, SW England, from the end of the fifteenth century to the Commonwealth. People used memorials to make statements. By examining every Cornish monument from 1497 to 1660-the good, the unprepossessing, and the downright bad-it is only then, with this mass of information, that one can truly contextualise motivations across the social spectrum and comprehend the contemporary meaning of...

'The 'Ordos bronzes' are well known to collectors and many museums, named for the many finds in and around the Ordos plateau in north China. They are ...the subject of many catalogues and parts of catalogues of collections and] have much to tell of contacts and of iconographic inspiration passing, in both directions, from China and from the Steppes... I am dealing with what are generally regarded as belt plaques, not the many animal-only 'Ordos bronzes' of various forms and attachments, which may have been applied to harness or dress or furniture, and which are equally numerous; nor with...

Taberam Soni, Labh Singh, Amar Singh, and other artists live and work in the hill-villages of the lower Himalayas in Himachal Pradesh, India. There they fashion face-images of deities (mohras) out of thin sheets of precious metal. Commissioned by upper-caste patrons, the objects are cultural embodiments of divine and earthly kinship. As the artists make the images, they also cross caste boundaries in a part of India where such differences still determine rules of contact and correspondence, proximity and association. Once a mohra has been completed and consecrated, its maker is not...

Why was the bloody struggle between the Amazons and Greeks among the most popular subjects for depiction on Roman sarcophagi? This study uses the extensive corpus of Amazon sarcophageal imagery as a source for examining key aspects of the history of bodies and the history of representations of violence. It provides insight into the radical transformation in ways of dealing with grief and death that took place during the Roman Empire.

Learning to Look at Sculpture is an accessible guide to the study and understanding of three dimensional art. Sculpture is all around us: in public parks, squares, gardens and railway stations, as part of the architecture of buildings, or when used in commemoration and memorials and can even be considered in relation to furniture and industrial design. This book encourages you to consider the multiple forms and everyday guises sculpture can take.

Exploring Western sculpture with examples from antiquity through to the present day, Mary Acton shows you how to analyse and...

A new book on land art in Great Britain. There are chapters on land artists such as Chris Drury, Hamish Fulton, David Nash, Richard Long and Andy Goldsworthy. All of the major practitioners of land and environmental art in the U.K. are discussed. The book also considers prehistoric art, stone circles, Romanticism, poetry, religion, women's art, contemporary art, and the impact of the British landscape on British land art.

Fully illustrated, with a newly revised text for this edition. Bibliography and notes. ISBN 9781861714015. 352 pages.

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