Kategoria BISAC: Art >> Techniques - Printmaking

The global history of text-based communication constitutes a particularly exciting facet of material culture, given the myriad ways in which its production, transmission, and consumption has been - and continues to be - accomplished across cultural and political boundaries. However, a critical engagement with script and print outside the western world has remained relatively limited to summaries and generalisations, despite a burgeoning interest in the interrelated areas of printing, publishing, design, and type histories. The time is long overdue for these narratives relating to the...

The strikingly original characterizations and sharply drawn scenes that came to be known posthumously as Los Desastres de la Guerra (The Disasters of War) are among Francisco Goya's most powerful works and one of the masterpieces of Western civilization. Goya's model for his visual indictment of war and its horrors was the Spanish insurrection of 1808 and the resulting Peninsular War with Napoleonic France. The bloody conflict and the horrible famine of Madrid were witnessed by Goya himself, or were revealed to him from the accounts of friends and contemporaries. From 1810 to 1820,...

This innovative study examines the efforts of Harlem Renaissance artists and writers to create a hybrid expression of black identity that drew on their ancient past while participating in contemporary American culture. Caroline Goeser investigates a critical component of...

This volume of the Index Emblematicus deals with three early seventeenth-century works: Remaines of a Greater Worke Concerning Britaine, by William Camden; The Mirrour of Maiestie, by H.G.; and Otto van Veen's Amorum Emblemata. Camden's Remaines is noteworthy for using imprese in language as pictorial image; for mixing imprese with cognizance; and for considering impresa itself as the identity of the individual rather than as a general principle. H.G.'s Mirrour is remarkable in that every one of its emblems consists of a personal heraldic coat of arms of an identified statesman twinned...

Tempests and Romantic Visionaries examines the many ways artists have portrayed both turbulent and calm weather conditions in marine and landscape paintings, drawings, and prints. Emphasis is placed on the artist's observation and experience of weather and climate, as well as on works which use calm seas, storms, and tempests as symbol and metaphor.

Essays discuss J. M. W. Turner's storm subjects (Hardy George), tempest and shipwreck subjects in Dutch art and Romantic marine painting (Lawrence Goedde), storms at sea in British marine painting (Geoffrey Quilley), and paintings...