Kategoria BISAC: Art >> Techniques - Painting

Many of today's emerging artists are using portraiture or self-portraiture to explore complex issues of identity. At the same time, these artists are also testing the boundaries of the genre of figurative art. Others are finding success through a renewed attention to classical training in representational art. Artists who regularly create portraits on commission are also experiencing a higher level of interest in their work. The Outwin Boochever Competition 2006 brings together work that exemplifies these trends. Selected from more than 4,000 entries--from every state in the union--by a...

This lavish catalogue presents 150 European paintings, pastels, and drawings from the late fifteenth to the mid-nineteenth century that have been given to the Metropolitan Museum by Mr. and Mrs. Charles Wrightsman or are still held in Mrs. Wrightsman's private collection. These notable works were collected over the past four decades, many of them with the Museum in mind; some were purchased by the Museum through the Wrightsman Fund.

Highlights of the book include masterpieces by Vermeer, El Greco, Rubens, Van Dyck, Georges de La Tour, Jacques-Louis David, and Caspar David Friedrich...

Paul Gauguin (1848-1903) played a seminal role in Post-Impressionist France. In his writings and work, he favored emotional responses to nature over intellectual uses of lines, color, and composition. In 1888 he and Emile Bernard developed a new style called Synthetism. Three groups of Gauguin's symbolist followers--Pont Aven, Les Nabis, and Rose + Croix pursued and extended the Synthetist vision. This sourcebook focuses on the most prominent adherents of the three schools directly affected by Gauguin's symbolism.

This is the first comprehensive, single-volume guide and bibliography of...

Look around and select a subject that you can see painted. That will paint itself. Do the obvious thing before you do the superhuman thing.
It may have been accidental, but you knew enough to let this alone. The good painter is always making use of accidents.
Never try to repeat a success.
Swing a bigger brush -- you don't know what fun you are missing.
For 31 years, Charles Hawthorne spoke in this manner to students of his famous Cape Cod School of Art. The essence of that instruction has been collected from students' notes and captured in this...