Kategoria BISAC: Art >> Asian - General

Nous avons vecu une periode particulierement difficile. Il n'y avait aucune direction connue dans notre travail. Pas a pas, nous avons depasse l'effroi de l'egarement et decouvert le plaisir de domaines nouveaux... Mais les critiques n'etaient pas de notre cote, aucune valeur sociale n'etait attachee a nos travaux. C'est en ces termes que le peintre Ahmad Esfandiari (1922-2012) decrit l'effervescence des annees 1940 durant lesquelles un style pictural novateur - la Nouvelle peinture - apparait en Iran.
A l'appui d'archives et d'entretiens, cet ouvrage tente de restituer la flamme qui a...

How has fashion mirrored the social and cultural changes that have taken place in modern China? To what extent has fashion contributed to those changes?

This book provides the first comprehensive account of modern Chinese fashion from 1978 to the present day. The post-Mao era witnessed the birth of the Chinese market economy, the reawakening of Chinese fashion, and the rejuvenation of Chinese society. The program of economic reform turned China into the world's leading manufacturing powerhouse, and the Chinese fashion industry now plays a key international role. During the same...

In 2002 a manga (comic book) was for the first time successfully charged with the crime of obscenity in the Japanese courts. In The Art of Censorship Kirsten Cather traces how this case represents the most recent in a long line of sensational landmark obscenity trials that have dotted the history of postwar Japan. The objects of these trials range from a highbrow literary translation of Lady Chatterley's Lover and modern adaptations and reprintings of Edo-period pornographic literary "classics" by authors such as Nagai Kafu to soft core and hard core pornographic films, including a...

Michael Berry takes an innovative look at the representation of six specific historical traumas in modern...

In premodern China, elite painters used imagery not to mirror the world around them, but to evoke unfathomable experience. Considering their art alongside the philosophical traditions that inform it, The Great Image Has No Form explores the "nonobject"--a notion exemplified by paintings that do not seek to represent observable surroundings.

Francois Jullien argues that this nonobjectifying approach stems from the painters' deeply held belief in a continuum of existence, in which art is not distinct from reality. Contrasting this perspective with the Western notion of art as...

For nearly a century, mention of Bali has evoked images of a tropical paradise. But it is not only the beauty of the island that has attracted artists, dancers, celebrities and scholars. Bali is also famed for its vibrant performance and ritual arts traditions.

Although the island is so small it can be circled in a day, it is home to more than 20,000 temples, and each of these produces...

The teabowl has become an iconic ceramic form in recent years. Having travelled from the East, where it was an inherent part of the Japanese tea ceremony, it has evolved and adapted to become something very different in the West.

Revered for its oriental associations and its connotations of sophistication and simplicity, the teabowl enjoys an elevated status. Here Bonnie Kemske looks at the form as a whole, considering the history and ideas behind the original tea ceremonies, to how it travelled to the West and the way it is used today. She also explores the wide range of teabowls...

This volume commemorates the 160^th anniversary of the Selamlik of Oberhofen Castle near Thun one of the most significant Swiss Orientalist interiors, designed by the Bernese architect Theodor Zeerleder (1820 1868) by presenting the latest research on the spectacular smoking room inspired by the luxurious reception halls in Cairo, which Zeerleder discovered during his travels to the East. At the same time, this collection of essays explores the significance of the famous city on the Nile as a privileged model for 19th-century architecture and ornamentation, bringing together...