Kategoria BISAC: Art >> History - Romanticism

"Truth to Nature," a rallying cry for those artists and critics aiming to reform art-making practices in Great Britain over the course of the nineteenth century, bound together artists as diverse as Pre-Raphaelite John Everett Millais, photographer P. H. Emerson, and bohemian modernist Augustus John. In order to understand "truth," these artists turned to the rising disciplines of science, which offered new insights into physical phenomena, vision, and perception.

Drawing on sources ranging from artists' letters to scientific treatises, Nature's Truth illuminates the dynamic...

The Visual Culture of Violence after the French Revolution traces four sites of spectatorship that exemplified the visual culture of violence in the late eighteenth and early nineteenth centuries, offering a new account of the significance of violent spectacle to the birth of modernity. Considerations of the execution scaffold, salon painting, print culture and the fait divers, and waxworks displays establish the centrality of spectatorial violence to experiences of selfhood in the wake of the French Revolution. Shedding critical light on previously neglected aspects of art and visual...

The introduction of iron and later steel construction and decoration transformed architecture in the nineteenth century. While the structural employment of iron has been a frequent subject of study, this book re-directs scholarly scrutiny on its place in the aesthetics of architecture in the long nineteenth century. Together, its eleven unique and original chapters chart for the first time the global reach of iron s architectural reception, from the first debates on how iron could be incorporated into architecture s traditional aesthetics to the modernist cleaving of its structural and...

The world that shaped Europe's first national sculptor-celebrities, from Schadow to David d'Angers, from Flaxman to Gibson, from Canova to Thorvaldsen, was the city of Rome. Until around 1800, the Holy See effectively served as Europe's cultural capital, and Roman sculptors found themselves at the intersection of the Italian marble trade, Grand Tour expenditure, the cult of the classical male nude, and the Enlightenment republic of letters. Two sets of visitors to Rome, the David circle and the British traveler, have tended to dominate Rome's image as an open artistic hub, while the lively...

-If you are looking for a clear and concise guide to all aspects of The Gothic, ranging from literature to architecture, history to visual arts, music to fashion, horror to fantasy, subculture to philosophy, and more besides, then this is for you.- John Nicholls, University of Hull

What is the Gothic? A genre, a style, a movement, a subculture? The Gothic is all of this, and so much more; it is one of the most enduring and fertile artistic traditions in the history of modern civilization. Since the publication of The Castle of Otranto by Horace Walpole in December...