Kategoria BISAC: Art >> History - Modern (Late 19th Century to 1945)

This volume proposes an in-depth exploration of the materiality of art and writing in modernism and the avant-garde. The essays explore how the avant-gardes and modernism attempted to establish the material specificity and hybridity of media and art forms. The collection sheds light on the full range and import of the aesthetics of matter in avant-garde and modernist practice across all art forms from the 19th century to the present day.

Ab 1933 wurden Tausende von Menschen vom nationalsozialistischen Regime ins Exil getrieben. Fur viele deutschsprachige Kunstler und Schriftsteller wurde Paris vorubergehend zur Hauptstadt. Die Archive dieser Exilanten wurden zu "displaced objects," verstreut, geraubt, verschleppt, oft zerstort, aber auch haufig bewahrt. Im Zentrum des Buches steht die Auswertung unbekannten Quellenmaterials, das seit Kriegsende im Moskauer Sonderarchiv/RGVA lagert und das neue Einblicke in die Aktivitaten der deutschsprachigen Emigration der dreiiger Jahre in Paris und Europa erlaubt. Im Rahmen der...

Modern Art and Modernism...

Published prior to the Japanese edition 'Kohon Nihon Teikoku Bijyutsu Ryakushi', this is the very first official history of Japanese art compiled in Japan. The project to publish this official history was initially planned by the Japanese Ministry and the Imperial Museum in Tokyo, and Tenshin Okakura was appointed as the head of the Board. Despite the resignation of Okakura, Tadamasa Hayashi, the head of the Imperial Commission of Japan for the Universal Exposition of Paris 1900, took over the project and completed it for the opening of the Paris Exposition in 1900. The edition which was...

This is a collection of nine guide books of interior decoration and the aesthetic principles of Victorian lifestyles. Addressed primarily to middle-class women, they are extremely useful to our understanding Victorian society, women s history and culture.

Modern Art Culture: A Reader provides an essential resource for understanding the culture of modern art since the 1960s.

In recent years, media theorists and historians have asked whether works of imaginative art can have any impact in our image-saturated culture. Given the power of institutions, how do radical artists produce effective cultural interventions? In the aftermath of September 11th, 2001, many argue that pressing questions about works of art and their meanings are inseparable not only from contemporary social and political issues but also from major debates and developments...

Hilton Kramer, well known as perhaps the most perceptive, courageous, and influential art critic in America, is also the founder and co-editor (with Roger Kimball) of The New Criterion. This comprehensive book collects a sizable selection of his early essays and reviews published in Artforum, Commentary, Arts Magazine, The New York Review of Books, and The Times, and thus constituted his first complete statement about art and the art world.

The principal focus is on the artists and movements of the last hundred years: the Age of...

A fully illustrated survey of land and environmental art.

For the land artist, the whole planet is an artist's studio. The land artist ranges over the whole globe. A desert, a beach, a field, a forest becomes a studio, a place of creative activity. This means the very texture and colour and shape and dampness and springiness and strength and size of moss, for instance. Or a stone. Or a crevice in a rock formation. The way the light falls on a patch of grass, the little bits of dead, yellowish grass on top of the newer, green grass. Pine cones, closed-up. Flowers turning...

As riveting as a World War II thriller, The Forger's Spell is the true story of three men and an extraordinary deception: the revered artist Johannes Vermeer; the small-time Dutch painter who dared to impersonate him years later; and the con man's mark, Hermann Goering, the fanatical art collector and one of Nazi Germany's most reviled leaders.