Kategoria BISAC: Art >> History - Modern (Late 19th Century to 1945)

A huge array of contemporary artists are studied and illustrated in this new book on installation and environmental art, including: Andy Goldsworthy, Mark Rothko, Barnett Newman, David Nash, Richard Long, Hamish Fulton, Hans Haacke, Wolfgang Laib, Joseph Beuys, Ad Reinhardt, Louise Nevelson, Tony Cragg, Cornelia Parker, Rebecca Horn, Constantin Brancusi, James Turrell, Donald Judd, Christo, Robert Morris, Lawrence Weiner, Robert Irwin, Jannis Kounellis, Donna Dennis, Ian Hamilton Finlay, Alan Sonfist, Alice Aycock, Mary Miss, Nancy Holt, Walter de Maria,...

The home is, for many people, the location for their most intense relationships with visual things. Because they are constructed through the objects we choose, domestic spaces are deeply revealing of a range of cultural issues. How is our interpretation of an object affected by the domestic environment in which it is placed? Why choose a stainless steel teapot over a leopard print one? How do the images hanging on the walls of our homes arrive there? In placing contemporary art in the context of the 'ordinary' home, this book embarks on the contentious topic of whether 'high' art impacts...

In this provocative and stimulating book, David Hopkins addresses the homosocial structures in Dada and Surrealist art with an eye to their relevance to current artistic and theoretical debate. Bestriding the book is the pivotal figure of the artist Marcel Duchamp, who was at the center of various groups of artistic and literary figures--predominantly male--in Europe and America. And at the heart of the investigation are Duchamp's relationships with these men, the various interactions of those within the groups, and the impact of this type of male camaraderie on the artworks they produced....

During the Georgian period there was a remarkable proliferation of seductive visual imagery and written accounts of female performers. Focusing on the close relationship between the dramatic and visual arts at this time, this beautiful and stimulating book explores popular ideas of the actress as coquette, whore, celebrity, muse, and creative agent, charting her important symbolic role in contemporary attempts to professionalize both the theatre and the practice of fine art. Gill Perry shows how artists such as Gainsborough, Reynolds, Hoppner or Lawrence produced complex images of female...

Cezanne's Bathers: Biography and the Erotics of Paint discusses an epochal shift in the representation of sexuality in modern art with the images of nudes made by Paul Cezanne. Cezanne was the first painter of the twentieth century who, through careful study of avant-garde precedents including Manet and Courbet, would transform the material qualities of his art into an erotics of paint--that is to say, an eroticization of medium, of the liquidity of paint and the resistance of the canvas, of the trembling of the contour, of the oiliness of the pigment, and of countless other...

Hold That Pose explores the role of visual images in Spain's transition to a fully modern illustrated press by the first decade of the twentieth century. It examines both the ideological impact and the technological transformation of image production in Spanish magazines during the Restoration. In the brief period of forty years, 1870 to 1910, technological and manufacturing advances revolutionized Spain's illustrated press and consequently Europeanized the tastes and the expectations of its elite urban readership. By 1900, once subscription prices fell and magazines began to...

This volume proposes an in-depth exploration of the materiality of art and writing in modernism and the avant-garde. The essays explore how the avant-gardes and modernism attempted to establish the material specificity and hybridity of media and art forms. The collection sheds light on the full range and import of the aesthetics of matter in avant-garde and modernist practice across all art forms from the 19th century to the present day.

Ab 1933 wurden Tausende von Menschen vom nationalsozialistischen Regime ins Exil getrieben. Fur viele deutschsprachige Kunstler und Schriftsteller wurde Paris vorubergehend zur Hauptstadt. Die Archive dieser Exilanten wurden zu "displaced objects," verstreut, geraubt, verschleppt, oft zerstort, aber auch haufig bewahrt. Im Zentrum des Buches steht die Auswertung unbekannten Quellenmaterials, das seit Kriegsende im Moskauer Sonderarchiv/RGVA lagert und das neue Einblicke in die Aktivitaten der deutschsprachigen Emigration der dreiiger Jahre in Paris und Europa erlaubt. Im Rahmen der...

Modern Art and Modernism...