Kategoria BISAC: Art >> History - Modern (Late 19th Century to 1945)

Great works of art cannot be fully understood in a single encounter. This is perhaps even truer for modern artworks that may not immediately make sense to, or even appeal to, the casual observer. Viewing an artwork-- whether it is a painting, sculpture, installation, video, or photograph-- as a whole is one method of interacting with it, but a deeper understanding can only be gained by analyzing it in detail.

Modern Art in Detail: 75 Masterpieces spotlights the finer points that even connoisseurs may miss. The book includes all the minutiae that a quick glance will almost...

A milestone in American cultural history, the 1876 Centennial Exhibition in Philadelphia was one of the most broadly shared, heavily attended, and thoroughly documented public experiences of the nineteenth century. Power and Posterity illuminates how the art featured in the celebration informed and reflected national debates over the country's identity and its role in the world.

The Centennial's fine arts display, which included both a government-sanctioned selection of American works and significant contributions from sixteen other countries, spurred a transformation in the...

Replication and originality are central concepts in the artistic oeuvres of Marcel Duchamp and Man Ray. Remaking the Readymade reveals the underlying and previously unexplored processes and rationales for the collaboration between Duchamp, Man Ray, and Arturo Schwarz on the replication of readymades and objects.

The 1964 editioned replicas of the readymades sent shock waves through the art world. Even though the replicas undermined ideas of authorship and problematized the notion of identity and the artist, they paradoxically shared in the aura of the originals,...

• Presents a contemporary debate and dialogue rather than a seamless consensus on Modern Art
• Aims for reader accessibility by highlighting a plurality of approaches and voices in the field
• Presents Modern Art's foundational philosophic ideas and practices, as well as the complexities of key artists such...

A radically new interpretation of Picasso's life and work by an important Jungian scholar, The Psychological Roots of Modernism is an exciting contribution to the fields of both Jungian psychology and cultural criticism.　 All of Picasso's major works, from the Blue period masterpieces to the abstractions of mature Cubism, are examined as part of a single narrative which directly challenges our assumptions, and the views of a number of prominent art historians, and provides an entirely new perspective on the signature achievements of the modernist movement.

In Devastation and Laughter, Annie G?rin explores the use of satire in the visual arts, the circus, theatre, and cinema under Lenin and Stalin. G?rin traces the rise and decline of the genre and argues that the use of satire in official Soviet art and propaganda was neither marginal nor un-theorized. The author sheds light on the theoretical texts written in the 1920s and 1930s by Anatoly Lunacharsky, the Soviet Commissar of Enlightenment, and the impact his writings had on satirists. While the Avant-Garde and Socialist Realism were necessarily forward-looking and utopian,...