Kategoria BISAC: Art >> History - Ancient & Classical

Death on the Nile deepens our understanding of the lives and concerns of ancient Egyptians as they prepared themselves for death and burial. Building on the growing trend in Egyptology to use scientific analysis and imaging to examine artefacts, this new volume focuses on one hundred objects from the Fitzwilliam Museum's renowned Egyptian collection.

In addition to shedding new light on the workshops of ancient Egypt, Death on the Nile traces the religious beliefs, economic concerns and political allegiance of the people for whom the coffins were created. Behind these...

Fragmented, buried, and largely lost, the classical past presents formidable obstacles to anyone who would seek to know it. 'Deep Classics' is the study of these obstacles and, in particular, of the way in which the contemplation of the classical past resembles - and has even provided a model for - other kinds of human endeavor. This volume offers a new way to understand the modalities and aims of Classics itself, through the ages. Its individual chapters draw fruitful connections between the reception of the classical and current concerns in philosophy of mind, cognitive theory,...

Fragmented, buried, and largely lost, the classical past presents formidable obstacles to anyone who would seek to know it. 'Deep Classics' is the study of these obstacles and, in particular, of the way in which the contemplation of the classical past resembles - and has even provided a model for - other kinds of human endeavor. This volume offers a new way to understand the modalities and aims of Classics itself, through the ages. Its individual chapters draw fruitful connections between the reception of the classical and current concerns in philosophy of mind, cognitive theory,...

Instead of a clash...

Essays by the...

Die Publikation gibt erstmals in Text und Bild einen Gesamtuberblick uber Gattungen und Typen der Importkeramik in Milet, darunter ausserordentlich zahlreiche und zum Teil eindrucksvolle Gefasse der fur ihre Qualitat beruhmten attischen Schwarzfirniskeramik.

In?A Revolutionary Artist of Tibet author David Jackson focuses on the Khyenri style, the least known among the three major painting styles of Tibet, dating from the mid-fifteenth through the seventeenth century.

The painting of Khyentse Chenmo, the founder of the Khyenri style who flourished from the 1450s to the 1490s, was significant for his radical rejection of the prevailing, classic Indic (especially Nepalese-inspired) styles with formal red backgrounds, enthusiastically replacing them with the intense greens and blues of Chinese landscapes. Khyentse was famed for his...

Das Jahrbuch und die Begleitreihe Millennium-Studien wollen Grenzen uberschreiten, Grenzen zwischen den Epochen und regionalen Raumen wie auch Grenzen zwischen den Disziplinen. Millennium ist international, transdisziplinar und epochenubergreifend ausgerichtet. Das Herausgebergremium und der Beirat reprasentieren ein breites Spektrum von Fachern: Kunst- und literaturwissenschaftliche Beitrage kommen ebenso zu ihrem Rechtwie historische, theologische und philosophische, Beitrage zu den lateinischen und griechischen Kulturen ebenso wie zu den orientalischen.

In den Studien...