Kategoria BISAC: Art >> History - Ancient & Classical

In ancient Egypt, one of the primary roles of the king was to maintain order and destroy chaos. Since the beginning of Egyptian history, images of foreigners were used as symbols of chaos and thus shown as captives being bound and trampled under the king's feet. The early 18th dynasty (1550-1372 BCE) was the height of international trade, diplomacy and Egyptian imperial expansion. During this time new images of foreigners bearing tribute became popular in the tombs of the necropolis at Thebes, the burial place of the Egyptian elite.

This volume analyses the new presentation of...

In ancient Egypt, one of the primary roles of the king was to maintain order and destroy chaos. Since the beginning of Egyptian history, images of foreigners were used as symbols of chaos and thus shown as captives being bound and trampled under the king's feet. The early 18th dynasty (1550-1372 BCE) was the height of international trade, diplomacy and Egyptian imperial expansion. During this time new images of foreigners bearing tribute became popular in the tombs of the necropolis at Thebes, the burial place of the Egyptian elite.

This volume analyses the new presentation of...

Mit diesem Band liegt der erste Abschlussbericht uber die Arbeiten in der westlichen Oberstadt von Hattusa vor. Die Oberstadt von Hattusa, die seit der 2. Halfte des 16. Jhs. v. Chr. die Siedlungsflache der Stadt nahezu verdoppelt hat, ist durch offentliche Bauten unterschiedlichster Funktionen gepragt. Um den urbanen Zusammenhang in seiner Gesamtheit zu erfassen, konzentrierten sich zwischen 2002 und 2009 Ausgrabungen, geophysikalische Surveys und architekturhistorische Untersuchungen auf die Talsenke westlich von Sarikale und die diese umgebenden, bebauten Felsen in der westlichen...

This volume gathers together selected contributions which were originally presented at the conference 'Greek Art in Context' at the University of Edinburgh in 2014. Its aim is to introduce the reader to the broad and multifaceted notion of context in relation to Greek art and, more specifically, to its relevance for the study of Greek sculpture and pottery from the Archaic to the Late Classical periods. What do we mean by 'context'? In which ways and under what circumstances does context become relevant for the interpretation of Greek material culture? Which contexts should we look at...