Kategoria BISAC: Art >> European

Celebrates one of the giants of French Impressionism with luxurious, large-format images

Pierre-Auguste Renoir (1841-1919) was one of the founders of Impressionism and a friend of Monet, Pissarro and Sisley. He worked side-by-side with Monet on the banks of the Seine, sharing Monet's concern with light and colour, but landscape painting never displaced his enduring love of figure painting. Delighting in the ample curves of the nudes he painted increasingly frequently in his later years, Renoir was also a master at capturing the spirit of Parisian life.

His art...

A selection of writings that portray the inner life of the artist. Included are several short autobiographical pieces in which Valery talks about his early childhood, his adolescence, his military experience, his travels, his poetry, and his acquaintances. The volume contains selections from the Valery-Gide and Valery-Fourment correspondence and two additional pieces, "The Avenues of the Mind," a magazine interview with Valery printed in 1927, and Pierre Feline's "Memories of Paul Valery."

Originally published in 1975.

The Princeton Legacy Library uses the latest...

The Surviving Image, originally published in French in 2002, is the result of Georges Didi-Huberman's extensive research into the life and work of foundational art historian Aby Warburg. Warburg envisioned an art history that drew from anthropology, psychoanalysis, and philosophy in order to understand the "life" of images. Drawing on a wide range of Warburg's unpublished letters and diaries, Didi-Huberman demonstrates unequivocally the complexity and importance of Warburg's ideas and the ways in which his legacy was both distorted and diffused as art history became a "humanistic"...

Art-historical examinations of chinoiserie have largely ignored the role of the Church and its conversion efforts in Asia. Johns, however, demonstrates that the emperor's 1722 prohibition against Catholic evangelization, which occurred after almost a century and a half of tolerance, prompted a remarkable change in European...

First published in 1988. This book shows how censorship as a set of institutions, practices and discourses was involved in the struggle over the nature of cinema in the early twentieth century. It also reveals the part played in this struggle by other institutions, practices and discourses -- for example 'new' knowledge about sexuality and organisations devoted to the promotion of public morality. Instead of censorship simply being an act of prohibition by a special institution, this work reveals the issues at work were far more complex and contradictory -- opening up critical scrutiny and...