Kategoria BISAC: Art >> American - General

Forging a style of criticism where...

The renowned Argentine art historian and critic Andrea Giunta analyzes...

The renowned Argentine art historian and critic Andrea Giunta analyzes...

American Visual Cultures analyses the role of painting, photography, film, television, advertising, journalism and other visual media in the historical development of the United States from the Civil War to the present day. It offers a chronology of major debates and developments in modern US history and traces the social, political and economic factors that have shaped the development of visual forms and practices across time.

Illustrated throughout, the book combines a wide range of critical approaches and is made up of new essays by internationally renowned scholars. A General...

The Colors covers the past three decades of the American art scene, a period during which the prevailing artistic fashion has shifted as often as the focus of the Whitney Biennial, when art and money, talent and celebrity have often been confused. During this period, figures such as Julian Schnabel, Jeff Koons, and Keith Haring have crossed over from the rarefied world of high art into popular culture, and art dealers, like Hollywood power agents, have often claimed as much attention as those they represented. Anthony Haden-Guest has moved within this world, known the players, and delivers...

The art of Jules Kirschenbaum, with its very apparent reflection of the artist's struggle to find meaning in life, is a search for truth in odd bits of studio debris, in strange or imagined objects, or in his own visage.

Drawing on existential themes from philosophy, literature, and religion, the artist deals with issues of mortality and the spirit. In an age which reveled in abstraction and images of the banal, Kirschenbaum's work was steeped in the Western tradition of representation.

In his mature work, images of people and objects become metaphors for a deep...

Published by the Palmer Museum of Art

Henry Pearson is often linked to the Op Art movement of the 1960s because his best-known paintings feature a labyrinth of undulating parallel lines. Yet his work, although included in the landmark exhibition of 1965, "The Responsive Eye," has an intuitive rhythm and poetic elegance that fall well outside the calculated, often hard-edged structures favored by most Op artists. World War II interrupted Pearson's first career in theater design but led to a prolonged contact with Japanese culture and a passion for painting.

Back in New York...

A stunning visual accompaniment to the history of the state with 330 full color reproductions from the glory days of Maryland printmaking, with accompanying essays.

French priest Joseph M. Paret (1807-1872) served in the missions of Louisiana from 1847 to 1869 as pastor of the Little Red Church, located upstream from New Orleans on the east bank of the Mississippi River. During his somewhat lonely tenure, Paret sketched landscapes, architecture, and interiors, capturing everyday life in prosperous St. Charles Parish. In 1987, fifty-three watercolors were discovered -- still bound in their original sketchbook -- among his personal effects. Plantations by the River contains twenty-eight of these paintings created in or about the year 1859. Paret's...

During the nineteenth century, American artists, writers, and philosophers collaborated in the formation of a culture devoted to the country's natural splendors and the meanings these might harbor for its citizens. Arguably, the earliest and most influential of such pictorial and literary mergings took place in the Hudson River School, the subject of the essays gathered in this volume from the Trout Gallery of Dickinson College.

The artists and writers discussed in this anthology range from Thomas Cole, the founder of the Hudson River School, to Stanford Gifford and Washington...

• Collects the most important writings on art history from Post-Impressionism to the mid-20th century, covering both canonical and contemporary perspectives
  
• Offers a chronicle of avant-garde practice during an especially creative, if volatile, period of history
  
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• Collects the most important writings on art history from Post-Impressionism to the mid-20th century, covering both canonical and contemporary perspectives
  
• Offers a chronicle of avant-garde practice during an especially creative, if volatile, period of history
  
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