Kategoria BISAC: Art >> History - General

Winner, Award of Merit for Non-Fiction, The Philosophical Society of Texas, 2015

Before Abstract Expressionism of New York City was canonized as American postwar modernism, the United States was filled with localized manifestations of modern art. One such place where considerable modernist activity occurred was Texas, where artists absorbed and interpreted the latest, most radical formal lessons from Mexico, the East Coast, and Europe, while still responding to the state's dramatic history and geography. This barely known chapter in the story of American art is the focus of...

In this groundbreaking book, renowned art historian Hans Belting proposes a new anthropological theory for interpreting human picture making. Rather than focus exclusively on pictures as they are embodied in various media such as painting, sculpture, or photography, he links pictures to our mental images and therefore our bodies. The body is understood as a "living medium" that produces, perceives, or remembers images that are different from the images we encounter through handmade or technical pictures. Refusing to reduce images to their material embodiment yet acknowledging the...

"This fine memoir is more insightful than gossipy, and as a subject Bacon is just about unbeatable." -- The New York Times

In June of 1963, when Michael Peppiatt first met Francis Bacon, the former was a college boy at Cambridge, the latter already a famous painter, more than thirty years his senior. And yet, Peppiatt was welcomed into the volatile artist's world; Bacon, considered by many to be "mad, bad, and dangerous to know," proved himself a devoted friend and father figure, even amidst the drinking and gambling.

Though Peppiatt would later write perhaps the...

Although Franz Boas--one of the most influential anthropologists of the twentieth century--is best known for his voluminous writings on cultural, physical, and linguistic anthropology, he is also recognized for breaking new ground in the study of so-called primitive art. His writings on art have major historical value because they embody a profound change in art history.

Nineteenth-century scholars assumed that all art lay on a continuum from primitive to advanced: artworks of all nonliterate peoples were therefore examples of early stages of development. But Boas's case studies from...

Anfang des 19. Jahrhunderts entstand in Europa ein breites Interesse fur italienische Malerei der Vor- und Fruhrenaissance. In Preussen war es besonders gross innerhalb weniger Jahre kamen hunderte Gemalde nach Berlin. Der asthetische, historische und politische Wert der Bilder wurde vielfaltig diskutiert: Sie wurden zu identitatsstiftenden Kulturtragern, setzten Massstabe fur die Geschmacksbildung des Publikums und fur das Schaffen zeitgenossischer Kunstler. Anhand neu erschlossener Quellen werden die in Preussen wahrgenommenen Gemalde im Detail identifiziert, ihr Weg aus Italien...

Drawing on art, media, and phenomenological sources, Showing Off : A Philosophy of Image challenges much recent thought by proposing a fundamentally positive relationship between visuality and the ethical. In philosophy, cultural studies and art, relationships between visuality and the ethical are usually theorized in negative terms, according to the dyadic logics of seeing on the one hand, and being seen, on the other. Here, agency and power are assumed to operate either on the side of those who see, or on the side of those who control the means by which people and things enter...

Drawing on art, media, and phenomenological sources, Showing Off : A Philosophy of Image challenges much recent thought by proposing a fundamentally positive relationship between visuality and the ethical. In philosophy, cultural studies and art, relationships between visuality and the ethical are usually theorized in negative terms, according to the dyadic logics of seeing on the one hand, and being seen, on the other. Here, agency and power are assumed to operate either on the side of those who see, or on the side of those who control the means by which people and things enter...

Biopics on artists influence the popular perception of artists' lives and work. Projected Art History highlights the narrative structure and images created in the film genre of biopics, in which an artist's life is being dramatized and embodied by an actor. Concentrating on the two case studies, Basquiat (1996) and Pollock (2000), the book also discusses larger issues at play, such as how postwar American art history is being mediated for mass consumption.

This book bridges a gap between art history, film studies and popular culture by investigating how the film...

The Allgemeines Kunstlerlexikon (AKL), Artists of the World], is the successor to the traditional Thieme-Becker and Vollmer standard reference works on art history. It has been published since 1991. Long a standard work in its own right, the AKL is intentionally not limited to the "grand masters," but includes artists from all over the world and throughout the ages from antiquity to the present. It not only contains painters, sculptors and graphic designers, but gives equal weight to architects, designers, photographers, calligraphers, craftsmen and...

The Allgemeines Kunstlerlexikon (AKL), Artists of the World], is the successor to the traditional Thieme-Becker and Vollmer standard reference works on art history. It has been published since 1991. Long a standard work in its own right, the AKL is intentionally not limited to the "grand masters," but includes artists from all over the world and throughout the ages from antiquity to the present. It not only contains painters, sculptors and graphic designers, but gives equal weight to architects, designers, photographers, calligraphers, craftsmen and...