Kategoria BISAC: Art >> Folk & Outsider Art

Covering basketry, musical instruments, wood carving, quilting, pottery, boatbuilding, blacksmithing, architecture, and graveyard decoration, John Vlach seeks to trace and substantiate African influences in the traditional arts and crafts of black Americans. It is a widespread tradition, he observes, readily visible in areas such as the coastal regions of South Carolina and Georgia but discernible as well in places far to the west and north. With the aid of more than two hundred photographs and numerous maps, diagrams, and drawings, Vlach not only examines the form and content of the...

A complete catalog of the Atlanta History Center s permanent folk art exhibition, this richly illustrated volume defines and documents the folk arts of the lower southeastern United States. The objects, crafting processes, and performances represented here illustrate the unique qualities of the community-learned traditional arts of the South. John A. Burrison examines a multitude of traditional art forms, many of which still thrive today. Intricately constructed miniatures of covered wagons, sorghum-syrup mills, and pottery workshops speak of a life of subsistence farming. Decorated...

This abundantly illustrated volume arises out of the painstaking work of the Georgia Quilt Project, the most authoritative survey of quilts and quiltmakers ever undertaken in the state. "Georgia Quilts" showcases the diversity of quilting materials, methods, and patterns used in the state from the nineteenth century to the present and reveals how quilts serve as conduits of history and culture. From plain bed coverings of fabric scraps to exquisitely wrought pieces made for the "best bed," each of the 120 examples featured in the book tells its own story of abundance or want, peace or war,...

This book presents over one hundred religious and secular objects from the Museum of International Folk Art in Santa Fe, which houses the largest collection of New Mexican Hispanic folk art in the world.

Alexander Girard (1907 1993) amassed the largest cross-cultural folk art collection in the world. To date over a million visitors have flocked to the folk art museum in Santa Fe to savor and take delight in the bright and beautiful objects that inspired the renowned architect and designer. Girard was captivated by the "handcrafted" cultures of the world and saw the tragedy of their demise. Yet as a collector he was looking not to capture the past but to nourish the spirit of mankind and encourage the art that we can create for ourselves now. The Girard Wing at the Museum of International...

Discovering the art of Eddie Lee Kendrick was, as Ruth Kaplan recalls, -like walking into another world.-
In 1977, Kaplan, an administrator at an elementary school in Little Rock, Arkansas, walked into the school janitor's supply closet and found its walls hung with bright, lively paintings and drawings of Jesus, of angels, and of people in prayer and ecstasy, all created on corrugated cardboard.
It was a world lit by the spiritually-infused art of Eddie Lee Kendrick, an African American self-taught artist whose work is now gathered in A Spiritual Journey: The Art of Eddie...

Growing up as an African American in north Louisiana in the 1930s and 1940s, Sarah Albritton managed to take care of herself in her own way. On her journey away from the pain of poverty, abuse, and racism she experienced, Sarah Albritton has expressed herself in a variety of artistic modes: food preparation, restaurant decor, yard art, Christmas decorations, autobiographical prose and poetry, and most recently, narrative combined with paintings.
This collection of her first touring exhibition includes forty-nine paintings in full color accompanied by Albritton's stories as...