Kategoria BISAC: Art >> Criticism & Theory

Kelly Ives explores the worlds sexual representation in art and pornography, from a feminist viewpoint.

The book includes chapters on the depiction of sexuality in art, from contemporary art and pornography back through the Renaissance to prehistory; on the problematic relations between showing sexuality and censorship; the history of porn; and women's art and how women artists have depicted sexual acts and identities.

Fully illustrated, with images from the history of representing sexuality from prehistory to the present day.

Includes notes and bibliography.

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Games and play occupied a central, if misunderstood, role in modern art in the twentieth century. Many art-historical narratives have downplayed the ways in which artists returned to play and to games as analogues to art practice, as metaphors for creativity, or as models for art criticism. The essays collected in this volume investigate the fundamental importance of supposedly nonserious activity and attend to the ways in which artists used play and games in order to reconsider their practice and to expand their critical strategies. With subjects ranging from early twentieth-century...

Constantin Brancusi is one of the greatest of all sculptors, and a key sculptor of the modern era, with Auguste Rodin and Pablo Picasso. Brancusi's influence can be seen in a wide range of Western sculptors, including Donald Judd, Carl Andre, Henry Moore, Jean Arp, Barbara Hepworth, Minimalists and land artists.

This new book studies the religious and mythical dimensions of Constantin Brancusi's distinctive scultpural forms, the 'eggs', 'fishes', 'heads' and 'columns'. His central quest was for the 'essence of things', which resulted in purifying a form until only...

Constantin Brancusi is one of the greatest of all sculptors, and a key sculptor of the modern era, with Auguste Rodin and Pablo Picasso. Brancusi's influence can be seen in a wide range of Western sculptors, including Donald Judd, Carl Andre, Henry Moore, Jean Arp, Barbara Hepworth, Minimalists and land artists.

This new book studies the religious and mythical dimensions of Constantin Brancusi's distinctive scultpural forms, the 'eggs', 'fishes', 'heads' and 'columns'. His central quest was for the 'essence of things', which resulted in purifying a form until only...

The "paragone" the notion of competition and rivalry among the arts has been a topic of debate for centuries. It erupted with great force in the Renaissance, with sculptors vying with painters for superiority, modern artists competing with the ancients, and painting challenging poetry. If the traces of this lively conversation are most evident in the literature, the remarkable scholarship presented here demonstrates how the "paragone" was rendered visible also in works of art.

The essays on Renaissance and Baroque art reveal the "paragone" to be a crucial motive and key to the...

Transfigurements develops a framework for thinking about art through innovative readings of some of the most important philosophical writing on the subject by Kant, Hegel, and Heidegger. Sallis exposes new layers in their texts and theories while also marking their limits. By doing so, his aim is to show that philosophy needs to attend to art directly. Consequently, Sallis also addresses a wide range of works of art, including paintings by Raphael, Monet, and Klee; Shakespeare's comedies; and the music of Beethoven, Schubert, Mahler, and Tan Dun. Through these interpretations, he...

Acknowledging that representations of men confronting violence and pain can reinforce ideas of manly tenacity, Kent L. Brintnall also argues that they reveal the...

Though blacks were not often seen on the streets of seventeenth-century London, they were already capturing the British imagination. For two hundred years, as Britain shipped over three million Africans to the New World, popular images of blacks as slaves and servants proliferated in London art, both highbrow and low. Catherine Molineux assembles a surprising array of sources in her exploration of this emerging black presence, from shop signs, tea trays, trading cards, board games, playing cards, and song ballads to more familiar objects such as William Hogarth's graphic satires. By...

From property deeds to shipping containers to wearable shelters to virtual spaces: what does it mean to draw a spatial boundary? To be at home? In a world in which notions of place are constantly changing, Jennifer Johung looks at new constructions of staying in place--in contemporary site-specific art, digital media, portable architecture, and various other imaginable shelters and sites.

Replacing Home suggests that while "place" may no longer be a sustainable category, being in place and belonging at home are nonetheless possible. By emphasizing reusability rather than fixed...

From property deeds to shipping containers to wearable shelters to virtual spaces: what does it mean to draw a spatial boundary? To be at home? In a world in which notions of place are constantly changing, Jennifer Johung looks at new constructions of staying in place--in contemporary site-specific art, digital media, portable architecture, and various other imaginable shelters and sites.

Replacing Home suggests that while "place" may no longer be a sustainable category, being in place and belonging at home are nonetheless possible. By emphasizing reusability rather than fixed...

Mark Rothko (1903-1970, born Marcus Rothkowitz in Dvinsk, Russia) is one of the great 20th century American artists. A huge amount of material that has grown up around Rothko. Like Vincent van Gogh, Pablo Picasso, Claude Monet and Leonardo da Vinci, Mark Rothko has been lionized by hundreds of art critics. Rothko remains a greatly admired painter. His works will not, it seems, reach the same mass audiences as Monet or van Gogh, perhaps because Rothko is an abstract artist, and very few abstract artists achieve the mega stature of figurative painters such as van Gogh or Monet....

Mark Rothko (1903-1970, born Marcus Rothkowitz in Dvinsk, Russia) is one of the great 20th century American artists. A huge amount of material that has grown up around Rothko. Like Vincent van Gogh, Pablo Picasso, Claude Monet and Leonardo da Vinci, Mark Rothko has been lionized by hundreds of art critics. Rothko remains a greatly admired painter. His works will not, it seems, reach the same mass audiences as Monet or van Gogh, perhaps because Rothko is an abstract artist, and very few abstract artists achieve the mega stature of figurative painters such as van Gogh or Monet....