Kategoria BISAC: Art >> Collections, Catalogs, Exhibitions - General

In the early 1990s, a major exhibition Chicano Art: Resistance and Affirmation, 1965-1985 toured major museums around the United States. As a first attempt to define and represent Chicano/a art for a national audience, the exhibit attracted both praise and controversy, while raising fundamental questions about the nature of multiculturalism in the U.S.

This book presents the first interdisciplinary cultural study of the CARA exhibit. Alicia Gaspar de Alba looks at the exhibit as a cultural text in which the Chicano/a community affirmed itself not as a "subculture" within...

Long regarded as the standard history of the subject, Francois Michaud's "History of the Crusades, "published in 1877, recorded over four centuries of passionate, bloody wars that brought the countries -- and cultures -- of Asia and Europe into conflict with one another. To illustrate Michaud's classic study, Gustave Dore executed 100 striking plates, capturing all the savagery, nobility, and vast sweep of the centuries-long conflict.
This splendid collection includes all 100 of the Dore illustrations, including scenes of Peter the Hermit Preaching the Crusade, The War Cry of the...

In this volume, forty-two remarkable paintings collected by Robert Lehman and his father, Philip Lehman, are discussed at length in light of recent technical and art historical research. This is the eighth in a projected series of sixteen volumes that will catalogue the entire Robert Lehman Collection at the Metropolitan Museum.

Among the works catalogued here are Petrus Christus's Goldsmith in His Shop of 1449, which is justly famous as one of the first northern European paintings to depict everyday life, and Hans Memling's Portrait of a Young Man (ca. 1475-80),...

Robert Lehman was a member of the first generation of American collectors to embrace what we call modern art. This lavishly illustrated volume catalogues 207 nineteenth- and twentieth-century European drawings that are now part of the Robert Lehman Collection at The Metropolitan Museum of Art. More than three-quarters of these drawings are French, but there are also sheets from Italy, Spain, Germany, the Netherlands, and Great Britain. Most are from the nineteenth century, but Robert Lehman also acquired, in some cases from the artists themselves, a number of drawings made during his own...