Kategoria BISAC: Art >> Techniques - Cartooning

"Magnificent The best how-to manual ever published." -- Kevin Kelly, Cool Tools

Scott McCloud tore down the wall between high and low culture in 1993 with Understanding Comics, a massive comic book about comics, linking the medium to such diverse fields as media theory, movie criticism, and web design. In Reinventing Comics, McCloud took this to the next level, charting twelve different revolutions in how comics are generated, read, and perceived today. Now, in Making Comics, McCloud focuses his analysis on the...

From Gary Larson's The Far Side to George Herriman's Krazy Kat, comic strips have two obvious defining features. They are visual narratives, using both words and pictures to tell stories, and they use word balloons to represent the speech and thought of depicted characters. Art historians have studied visual artifacts from every culture; cultural historians have recently paid close attention to movies. Yet the comic strip, an art form known to everyone, has not yet been much studied by aestheticians or art historians. This is the first full-length philosophical account of...

This final work in John Lent's series of bibliographies on comic art gathers together an astounding array of citations on American comic books and comic strips. Included in this volume are citations regarding anthologies and reprints; criticism and reviews; exhibitions, festivals, and awards; scholarship and theory; and the business, artistic, cultural, legal, technical, and technological aspects of American comics. Author John Lent has used all manner of methods to gather the citations, searching library and online databases, contacting scholars and other professionals, attending...

Stan Lee, the Mighty Man from Marvel, and John Buscema, active and adventuresome artist behind the Silver Surfer, Conan the Barbarian, the Mighty Thor and Spider-Man, have collaborated on this comics compendium: an encyclopedia of information for creating your own superhero comic strips. Using artwork from Marvel comics as primary examples, Buscema graphically illustrates the...

"A wide-ranging inquiry into an important area of contemporary scholarly interest, and also an engaging, well written and intelligently conceived collection." -Eric Smoodin, author of Animating Culture: Hollywood Cartoons From the Sound Era

Despite the success of Bugs Bunny, Daffy Duck, and their Looney cohorts, Warner Bros. animation worked in the shadow of Disney for many years. The past ten years have seen a resurgence in Warner Bros. animation as they produce new Bugs Bunny cartoons and theatrical features like Space Jam as well as television shows like Tiny Toon...

In defining comic book aesthetics Harvey establishes both a critical perspective and a vocabulary for evaluating the art. Because he is an able practitioner himself, his insights are especially valuable. As he demonstrates how words and pictures function together to tell stories in ways unique...

This is the Teacher's Guide to Al Bohl's Guide to Cartooning . Adopted in Oklahoma and Utah as a texbook for grades 9 - 12.

The giants of the American cartoon world, from the post-World War II era to
the late 1980s, spring to life in this lavishly illustrated memoir.
Award-winning cartoonist Art Wood analyzes the distinctive styles, substance,
and creations of his fellow cartoonists.
Taken from the extensive private collection of Art Wood, the more than 120
reproductions of original work trace the history and development of cartooning.
His warm and telling portraits reveal the real men "behind the brush,"
offering details about the illustrators and their relationships to...

Disney artist Carl Barks (1901-2000) created one of Walt Disney's most famous characters, Scrooge McDuck. Barks also produced more than 500 comic book stories. His work is ranked among the most widely circulated, best-loved, and most influential of all comic book art.

Although the images he created are known virtually everywhere, Barks was an isolated storyteller, living in the desert of California and preferring to labor without public fanfare during most of his career.

He created work of such exceptional quality that he was accorded the greatest autonomy of any Disney artist. He is...