Kategoria BISAC: Art >> Techniques - Calligraphy

In addition to daily practice, a practical lettering project is presented for each week. There are 52 in all, ranging from wholly creative projects such as designing an award for a...

This unusual Dover publication presents a singular opportunity to the artist, crafter, designer, illustrator, printer, or other user of letter designs to have always at hand a rich store of inspiration and a swipe-file. More important, you may reproduce any initial or alphabet in this volume free of charge, without asking permission. The work is all royalty-free; when you buy the book, you buy the reproduction rights to any individual part of it. The price is less than you would pay to professional archives for one copy of the letter.
There are 123 full-page plates including 91 complete...

-The law of harmony in flourishing is the same as in love. As long as everything goes along smoothly, harmony prevails. But as soon as some rival crosses the pathway, especially in a diagonal way, there is likely to be trouble in camp. Therefore see that the lines run nearly parallel or cross nearly at right angles.-
With the charm of words like these, this pleasantly old-fashioned manual inculcates a fine art that has been virtually lost: the art of ornate pictorial calligraphy, or -flourishing.-
A good pen, this book, and practice are all you need to create your own magnificent...

This book contains the entire contents of four fine volumes of monogram and allied devices published between 1830 and 1881. Over 2,500 monogrammatic and alphabetic designs are displayed in plates from "Dictionnaire du Chiffre-monogramme," etc., by Charles Demengeot (1881); "Monograms and Ciphers," by H. Renoir (1870-74); "Knight's New Book of Seven Hundred & Fifty Eight Plain, Ornamented & Reversed Cyphers" (1830); and "Monograms in Three and Four Letters," by J. Gordon Smith (n.d.).
There are monograms in every two-letter combination and extensive selections of three and four letters;...

Developed by English handwriting masters in the 18th century, copperplate calligraphy is admired for its fluidity and beauty. It is the most popular style for social correspondence, invitations, and other communications requiring an elegant hand.
In this practical manual, a noted calligraphy teacher offers a comprehensive, step-by-step guide for the student. Beginning with a brief but fascinating history of copperplate, she moves quickly to an in-depth examination of the alphabet, numbers, and punctuation. Each letter is demonstrated stroke by stroke with a clear explanation.
Readers...

Mao Zedong and other Communist leaders gave calligraphy a revolutionary role,...

This is the classic introduction to Chinese calligraphy. In nine richly illustrated chapters Chiang Yee explores the aesthetics and the technique of this art in which rhythm, line, and structure are perfectly embodied. He measures the slow change from pictograph to stroke to the style and shape of written characters by the great calligraphers.

Speech and writing are two organs of the same human impulse--the conveyance of thought: the one operating through hearing, the other through sight; the one by sound from mouth to ear, the other by form or image from hand to eye. But each can do...

The de Brailes Hours is the earliest surviving independent Book of Hours, dating from about 1240. The work of William de Brailes, of Oxford, it is lavishly illustrated throughout with miniatures and historiated initials of fine quality, with an interesting sequence of scenes. As the first example of this new type of text, its design and iconography have much that is experimental; equally remarkable is the illuminator's handling of the complex programme of illustrations.

Claire Donovan provides a detailed discussion of the Hours, its iconography and its place in the thirteenth-century...

Illuminated manuscripts survive in great numbers from the Middle Ages. They are often beautifully preserved, enabling us to appreciate the skilled design and craftsmanship of the people who created them.

Christopher de Hamel describes each stage of production from the preparation of the vellum, pens, paints and inks to the writing of the scripts and the final decoration and illumination of the book. He then examines the role of the stationer or bookshop in co-ordinating book production and describes the supply of exemplars and the accuracy of texts. He follows the careers of a number...