Kategoria BISAC: Architecture >> History - Baroque & Rococo

This is the first full-length study on the connections between English architecture and intellectual change between 1660 and 1730. As new ideas developed in post-Restoration England across the realms of politics, culture, academia and morality, so too did architectural expression of these ideas. Power and Virtue articulately engages English architecture with notions of power and virtue in terms of empirical knowledge on the one hand and humanism and virtuosi on the other.

Aimed at an academic readership in history and theory of architecture and the history of English...

This is the first full-length study on the connections between English architecture and intellectual change between 1660 and 1730. As new ideas developed in post-Restoration England across the realms of politics, culture, academia and morality, so too did architectural expression of these ideas. Power and Virtue articulately engages English architecture with notions of power and virtue in terms of empirical knowledge on the one hand and humanism and virtuosi on the other.

Aimed at an academic readership in history and theory of architecture and the history of English architecture, this...

Beginning in the 1730s, Heather Minor tells us, Rome "began to resemble one huge construction site," with a series of ambitious and expensive new building campaigns that transformed the face and substance of the city. From renovations of the Santa Maria Maggiore and San Giovanni in Laterano and the restoration of the Arch of Constantine to the creation of the Capitoline Museum and the establishment of the papacy's Calcografia, the push for reform not only renewed papal and Church identity but also revived Italian culture as a whole. Based on extensive archival research and full of...

This is the first study to characterize the architectural patronage of Cardinal Pietro Ottoboni (1667-1740), and to identify twelve architects during his half century of patronage in his Ecclesiastical court of the Cancelleria. Most eminent among them were Filippo Juvarra and Domenico Gregorini. Commercial and private theaters in the palace are located from archival data, room measurements, drawings, diary accounts, Correspondence of the French Academy, and palimpsests of architectural details. The size, shape, appearance, capacity, and location of Filippo Juvarra's theater are discussed....