Kategoria BISAC: Architecture >> History - Renaissance

• Brings together an interdisciplinary group of scholars, combining innovative approaches, case studies, and methodological critiques
  
• Expands the discourse on the Renaissance home, ultimately challenging traditional notions of public and private, interior and exterior, ideals and reality
  
• Examines under-studied spaces of the interior, such as baths and chapels, and offers new insights...

In Humanism and the Urban World, Caspar Pearson offers a profoundly revisionist account of Leon Battista Alberti's approach to the urban environment as exemplified in the extensive theoretical treatise De re aedificatoria (On the Art of Building in Ten Books), brought mostly to completion in the 1450s, as well as in his larger body of written work. Past scholars have generally characterized the Italian Renaissance architect and theorist as an enthusiast of the city who envisioned it as a rational, Renaissance ideal. Pearson argues, however, that Alberti's...

Santa Maria di Firenze, an ancient, venerable Benedictine abbey (called the Badia) located in the heart of Florence, is the subject of Anne Leader s new book. In 1418, 17 Benedictine monks journeyed to Florence from Padua to save one of their order's oldest houses from ruin. Realizing that reformed spiritual practice alone would not save the Badia, Abbott Gomezio di Giovanni commissioned the creation of a new cloister, to be decorated with vivid and engaging frescoes designed to motivate its residents. Leader s richly illustrated, interdisciplinary study examines the Badia during this...

Inigo Jones (1573-1652) is widely acknowledged to have been England's most important architect. As court designer to the Stuart kings James I and Charles I, he is credited with introducing the classical language of architecture to the country. He famously traveled to Italy and studied firsthand the buildings of the Italian masters, particularly admiring those by Andrea Palladio.

Much less well known is the profound influence of native British arts and crafts on Jones's architecture. Likewise, his hostility to the more opulent forms of Italian architecture he saw on his travels has...

In Humanism and the Urban World, Caspar Pearson offers a profoundly revisionist account of Leon Battista Alberti's approach to the urban environment as exemplified in the extensive theoretical treatise De re aedificatoria (On the Art of Building in Ten Books), brought mostly to completion in the 1450s, as well as in his larger body of written work. Past scholars have generally characterized the Italian Renaissance architect and theorist as an enthusiast of the city who envisioned it as a rational, Renaissance ideal. Pearson argues, however, that Alberti's...

Monsters, grotesque creatures, and giants were frequently depicted in Italian Renaissance landscape design, yet they have rarely been studied. Their ubiquity indicates that gardens of the period conveyed darker, more disturbing themes than has been acknowledged.

In The Monster in the Garden, Luke Morgan argues that the monster is a key figure in Renaissance culture. Monsters were ciphers for contemporary anxieties about normative social life and identity. Drawing on sixteenth-century medical, legal, and scientific texts, as well as recent scholarship on monstrosity,...

From the strictly regimented church bells to the freewheeling chatter of civic life, Renaissance Florence was a city built not just of stone but of sound as well. An evocative alternative to the dominant visual understanding of urban spaces, The Noisy Renaissance examines the premodern city as an acoustic phenomenon in which citizens used sound to navigate space and society.

Analyzing a range of documentary and literary evidence, art and architectural historian Niall Atkinson creates an "acoustic topography" of Florence. The dissemination of official messages, the rhythm of...

Over the years there have been several books written about Rosslyn Chapel, the most recent seem determined to undermine any possibility that this very special building is anything more than a stone church, albeit highly detailed and elaborate, and nothing more. This work confronts this rationalist stance head on and presents startling new evidence suggesting just the opposite. From the outset it should be clear that two quite distinct histories are applied to Rosslyn Chapel. One is the official version insisting that the Chapel is nothing more than a place of simple piety and worship,...

The cross-cultural exchange of ideas that flourished in the Mediterranean during the sixteenth and seventeenth centuries profoundly affected European and Islamic society. Gardens of Renaissance Europe and the Islamic Empires considers the role and place of gardens and landscapes in the broader context of the information sharing that took place among Europeans and Islamic empires in Turkey, Persia, and India.

In illustrating commonalities in the design, development, and people's perceptions of gardens and nature in both regions, this volume substantiates important parallels...

From the strictly regimented church bells to the freewheeling chatter of civic life, Renaissance Florence was a city built not just of stone but of sound as well. An evocative alternative to the dominant visual understanding of urban spaces, The Noisy Renaissance examines the premodern city as an acoustic phenomenon in which citizens used sound to navigate space and society.

Analyzing a range of documentary and literary evidence, art and architectural historian Niall Atkinson creates an "acoustic topography" of Florence. The dissemination of official messages, the rhythm of...