'Life, from being made up of little separate incidents which one lived one by one, became curled and whole like a wave which bore one up with it and threw one down with it, there, with a dash on the beach' For years now the Ramsays have spent every summer in their holiday home in Scotland, and they expect these summers will go on forever; but, as the First World War looms, the integrity of family and society will be fatally challenged. To the Lighthouse is at once a vivid impressionistic depiction of their family holiday, and a meditation on marriage, on parenthood and childhood,...
'Life, from being made up of little separate incidents which one lived one by one, became curled and whole like a wave which bore one up with it and...
'The future shadowed their present, like the sun coming through the many-veined transparent vine leaf: a criss-cross of lines making no pattern' It is June in 1939, and the inhabitants of a country house prepare for the annual village pageant that will be held in its grounds that day. It will tell the stories of English history, as it does every year. Yet the coming of war broods over the whole community, changing the meaning of past and present, and heralding a new act. Through her characters' passionate musings and private dramas, and through the enigmatic figure of the pageant's...
'The future shadowed their present, like the sun coming through the many-veined transparent vine leaf: a criss-cross of lines making no pattern' ...
'Why, if one wants to compare life to anything, one must liken it to being blown through the Tube at fifty miles an hour - landing at the other end without a single hairpin in one's hair! Shot out at the feet of God entirely naked! ... Yes, that seems to express the rapidity of life, the perpetual waste and repair; all so casual, all so haphazard' Virginia Woolf tested the boundaries of fiction in these short stories, developing a new language of sensation, feeling and thought, and recreating in words the 'swarm and confusion of life'. Defying categorization, the stories range from...
'Why, if one wants to compare life to anything, one must liken it to being blown through the Tube at fifty miles an hour - landing at the other end ...
Written after Woolf had finished her emotionally draining work on The Waves, Flush purports to be an autobiography of Elizabeth Barrett Browning's eponymous cocker spaniel, charting the dog's early days in the countryside, his adoption by the famous poet, his subsequent life in London and his travels with his owners to Italy. While the resulting narrative is light-hearted and playful on the surface, Woolf ingeniously uses the faux-naif impressions of her animal narrator to voice her social criticism on topics such as the class system and the relationship between man and woman. Much like...
Written after Woolf had finished her emotionally draining work on The Waves, Flush purports to be an autobiography of Elizabeth Barrett Browning's epo...
'One of the most moving, revolutionary artworks of the twentieth century' Michael Cunningham Clarissa Dalloway, elegant and vivacious, is preparing for a party and remembering those she once loved. In another part of London, Septimus Warren Smith is suffering from shell-shock and on the brink of madness. Smith's day interweaves with that of Clarissa and her friends, their lives converging as the party reaches its glittering climax. Virginia Woolf's masterly novel, in which she perfected the interior monologue, brings past, present and future together on one momentous day in June 1923. ...
'One of the most moving, revolutionary artworks of the twentieth century' Michael Cunningham Clarissa Dalloway, elegant and vivacious, is preparing...
'A fantasy, impossible but delicious ... an exuberance of life and wit' The Times Literary Supplement First masculine, then feminine, Orlando begins life as a young sixteenth-century nobleman, then gallops through the centuries to end up as a woman writer in Virginia Woolf's own time. Written for the charismatic, bisexual writer Vita Sackville-West, this playful mock biography of a chameleon-like historical figure is both a wry commentary on gender and, in Woolf's own words, a 'writer's holiday' which delights in its ambiguity and capriciousness. Edited by Brenda Lyons with an...
'A fantasy, impossible but delicious ... an exuberance of life and wit' The Times Literary Supplement First masculine, then feminine, Orlando begin...