Drawing on a long-standing tradition of fictional images, British writers of the Romantic period defined and constructed Italy as a land that naturally invites inscription and description. In their works, Italy is a cultural geography so heavily overwritten with discourse that it becomes the natural recipient of further fictional transformations. If critics have frequently attended to this figurative complex and its related Italophilia, what seems to have been left relatively unexplored is the fact that these representations were paralleled and sustained by intense scholarly activities. This...
Drawing on a long-standing tradition of fictional images, British writers of the Romantic period defined and constructed Italy as a land that naturall...
The volume explores the interrelated topics of transnational identity in all its ambiguity and complexity, and the new ways of imagining community or Gemeinschaft (as distinct from society or Gesellschaft)) that this broader climate made possible in the Romantic period. The period crystallized, even if it did not inaugurate, an unprecedented interest in travel and exploration, as well as in the dissemination of the knowledge thus acquired through print media and learned societies. This dissemination expanded but also unmoored both epistemic and national boundaries. It thus led to what...
The volume explores the interrelated topics of transnational identity in all its ambiguity and complexity, and the new ways of imagining community ...
