The term 'science fiction' has an established common usage, but close examination reveals that writers, fans, editors, scholars, and publishers often use this word in different ways for different reasons. Exploring how science fiction has emerged through competing versions and the struggle to define its limits, this Concise History:
provides an accessible and clear overview of the development of the genre
traces the separation of sf from a broader fantastic literature and the simultaneous formation of neighbouring genres, such as fantasy and horror
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The term 'science fiction' has an established common usage, but close examination reveals that writers, fans, editors, scholars, and publishers oft...
Science Fiction explores the genre from 1895 to the present day, drawing on examples from over forty countries. It raises questions about the relationship between science fiction, science and technology, and examines the interrelationships between spectacle, narrative and self-reflexivity, paying particular attention to the role of special effects in creating meaning and affect. It explores science fiction's evocations of the sublime, the grotesque, and the camp, and charts the ways in which the genre reproduces and articulates discourses of colonialism, imperialism and neo-liberal...
Science Fiction explores the genre from 1895 to the present day, drawing on examples from over forty countries. It raises questions about the relation...
This is the first collection to combine analysis of science fiction literature and films within a broader overview of Marxist theorizations and critical perspectives on the genre. This is an accessible and lively introduction for anyone studying the politics of science fiction, covering a rich variety of examples from Weimar cinema to mainstream Hollywood films, and novelists from Jules Verne and H.G. Wells to Kim Stanley Robinson, Ken MacLeod and Charles Stross.
This is the first collection to combine analysis of science fiction literature and films within a broader overview of Marxist theorizations and critic...
John Sayles is an inspiration to independent filmmakers in America and beyond, both for his engaged political filmmaking and as living proof that directors can survive and thrive without the need for mainstream financing. His 1980s films were the counter-punch to the special effects and blockbuster aesthetics of the Star Wars and Spielberg era, and this volume closely follows his career with analysis of all of his directed works. Through discussion of films such as Return of the Secaucus 7 (1980), The Brother from Another Planet (1984), Matewan (1987) and Sunshine...
John Sayles is an inspiration to independent filmmakers in America and beyond, both for his engaged political filmmaking and as living proof that dire...
In this illuminating exploration of Andrei Tarkovsky's Solaris (1972), Mark Bould considers Tarkovsky not as a transcendent artist but as a filmmaker working within a genre. He situates Solaris within the Russian and global cultures of the fantastic, to which Tarkovsky contributed three major science fiction films.
In this illuminating exploration of Andrei Tarkovsky's Solaris (1972), Mark Bould considers Tarkovsky not as a transcendent artist but as a filmmaker ...
