The poet David Gascoyne (1916-2001) led a life as surreal as his early poems. At eighteen he drafted the manifesto of the English Surrealist Group and at nineteen he published what remains an authoritative account of the international movement. He translated for Salvador Dali and crossed swords with Andre Breton; the 1936 International Surrealist Exhibition in London was largely his brainchild. During the war he toured as an actor, embraced religious existentialism and became, in the words of John Lehmann, "the most important philosophic poet of our time." After the war he wrote for radio,...

Where does the book belong? Does it enshrine the soul of a nation, or is it a means by which nations talk to one another, sharing ideas, technologies, texts? This book, the first in a two-volume set of original essays, responds to these questions with archive-based case studies of print culture in a number of countries around the world.

This volume focuses on the publisher's series as a cultural formation - a material artifact and component of cultural hierarchies. Contributors engage with archival research, cultural theory, literary and bibliometric analysis (amongst a range of other approaches) to contextualize the publisher's series in terms of its cultural and economic work.