Bertolt Brecht, John Willett, Ralph Manheim, James Stern, Tania Stern, W. H. Auden
Written in exile during the Second World War, the story of Brecht's classic play subverts an ancient Chinese tale - echoed in the Judgement of Solomon - in which two women claim the same child. The message of Brecht's parable is that resources should go to those who will make best use of them. Thanks to the rascally judge, Azdak, one of Brecht's most vivid creations, this story has a happy outcome: the child is entrusted to the peasant Grusha, who has loved and nurtured it.
Published in Methuen Drama's Modern Classics series, this edition features an extensive introduction, Brecht's...
Written in exile during the Second World War, the story of Brecht's classic play subverts an ancient Chinese tale - echoed in the Judgement of Solo...
This study of Brecht's theatre from eight different aspects was first published in 1959. The book aims to explain the difficult aspects of his ideology and political leanings in a straightforward manner. It traces his stylistic development as a playwright and stage director through each of his major plays and explains his evolving notion of epic theatre within the political and social climate of the 1920s, Marxism, Nazism and post-war Communism.
This study of Brecht's theatre from eight different aspects was first published in 1959. The book aims to explain the difficult aspects of his ideo...
Bertolt Brecht, John Willett, Ralph Manheim, Ralph Manheim, John Willett, John Willett, Ralph Manheim
Based on John Gay's eighteenth century Beggar's Opera, The Threepenny Opera, first staged in 1928 at the Theater am Schiffbauerdamm in Berlin, is a vicious satire on the bourgeois capitalist society of the Weimar Republic, but set in a mock-Victorian Soho. With Kurt Weill's unforgettable music - one of the earliest and most successful attempts to introduce jazz to the theatre - it became a popular hit throughout the western world.
Published in Methuen Drama's Modern Classics series, this edition features extensive notes and commentary including an introduction to the...
Based on John Gay's eighteenth century Beggar's Opera, The Threepenny Opera, first staged in 1928 at the Theater am Schiffbauerdamm i...
Bertolt Brecht, John Willett, Ralph Manheim, John Willett, John Willett, Ralph Manheim
Along with Mother Courage, the character of Galileo is one of Brecht's greatest creations, immensely live, human and complex. Unable to resist his appetite for scientific investigation, Galileo's heretical discoveries about the solar system bring him to the attention of the Inquisition. He is scared into publicly abjuring his theories but, despite his self-contempt, goes on working in private, eventually helping to smuggle his writings out of the country.
As an examination of the problems that face not only the scientist but also the whole spirit of free inquiry when brought into...
Along with Mother Courage, the character of Galileo is one of Brecht's greatest creations, immensely live, human and complex. Unable to resist his ...
Bertolt Brecht, John Willett, Tom Kuhn (St Hugh's College, Oxford University, UK), John Willett
Also known as The Private Life of the Master Race, this is a sequence of twenty-four realistic sketches showing how "ordinary" life under the Nazis was subtly permeated by suspicion and anxiety. Written in exile in Denmark and first staged in 1938 it was inspired in part by his recent trip to Moscow where he had been researching tasks for the anti-Nazi effort.
Also known as The Private Life of the Master Race, this is a sequence of twenty-four realistic sketches showing how "ordinary" life under the Nazis...
Bertolt Brecht, Marc Silberman (University of Wisconsin, Madison, USA), John Willett, Ralph Manheim
Everyone knows that Bertolt Brecht was one of the great 20th-century innovators in theatre - the literary-theatrical equivalent of a Picasso or Stravinsky - and Germany's greatest poet of the last century, but the playwright was also a dazzling writer of stories. Storytelling permeated his art as a dramatist; fundamentally in his plays he was a storyteller. This volume collects the complete short stories written by Brecht, including the prize-winning 'The Monster', and the fragmentary memoir ghost-written by Brecht, 'Life Story of the boxer Samson-Korner'. Brecht scholar Marc Silberman...
Everyone knows that Bertolt Brecht was one of the great 20th-century innovators in theatre - the literary-theatrical equivalent of a Picasso or Str...
This Student Edition of Brecht's classic dramatisation of the conflict between free enquiry and official ideology features an extensive introduction and commentary that includes a plot summary, discussion of the context, themes, characters, style and language as well as questions for further study and notes on words and phrases in the text. It is the perfect edition for students of theatre and literature Along with Mother Courage, the character of Galileo is one of Brecht's greatest creations, immensely live, human and complex. Unable to resist his appetite for scientific investigation,...
This Student Edition of Brecht's classic dramatisation of the conflict between free enquiry and official ideology features an extensive introduction a...
Bertolt Brecht, Ralph Manheim, John Willett, Ralph Manheim
Described by Brecht as 'a gangster play that would recall certain events familiar to us all', Arturo Ui is a witty and savage satire of the rise of Hitler - recast by Brecht into a small-time Chicago gangster's takeover of the city's greengrocery trade. Using a wide range of parody and pastiche - from Al Capone to Shakespeare's Richard III and Goethe's Faust - Brecht's compelling parable continues to have relevance wherever totalitarianism appears today. Written during the Second World War in 1941, the play was one of the Berliner Ensemble's most outstanding box-office successes in 1959, and...
Described by Brecht as 'a gangster play that would recall certain events familiar to us all', Arturo Ui is a witty and savage satire of the rise of Hi...
Bertolt Brecht, Ralph Manheim, John Willett, John Willett, Ralph Manheim
Based on John Gay's eighteenth century Beggar's Opera, The Threepenny Opera, first staged in 1928 at the Theater am Schiffbauerdamm in Berlin, is a vicious satire on the bourgeois capitalist society of the Weimar Republic, but set in a mock-Victorian Soho. It focuses on the feud between Macheaf - an amoral criminal - and his father in law, a racketeer who controls and exploits London's beggars and is intent on having Macheaf hanged. Despite the resistance by Macheaf's friend the Chief of Police, Macheaf is eventually condemned to hang until in a comic reversal the queen pardons him and grants...
Based on John Gay's eighteenth century Beggar's Opera, The Threepenny Opera, first staged in 1928 at the Theater am Schiffbauerdamm in Berlin, is a vi...