Focuses on Jonson as an embodiment of the contradictions and complexities of early Stuart censorship of the theater: he was repeatedly censored in his early career and a censor himself later. Burt (English, U. of Massachusetts) concludes that the goal was not to stifle playwrights, but to legitimate

Medieval and Early Modern Film and Media contextualizes historical films in an innovative way - not only relating them to the history of cinema, but also to premodern and early modern media. This philological approach to the (pre)history of cinema engages both old media such as scrolls, illuminated manuscripts, the Bayeux Tapestry, and new digital media such as DVDs, HD DVDs, and computers. Burt examines the uncanny repetitions that now fragment films into successively released alternate cuts and extras (footnote tracks, audiocommentaries, and documentaries) that (re)structure and reframe...

What's the worst thing you can do to Shakespeare? The answer is simple: don't read him. To that end, Richard Burt and Julian Yates embark here on a project of un/reading the Bard, through both reverent and irreverent discourse. Addressing recent critical d

The current standstill in U.S.-Soviet arms limitation negotiations has raised a number of questions about the effectiveness of arms limitation treaties, whether it is possible to negotiate an arms control agreement that would actually cut back on U.S. and Soviet strategic arsenals, and how such an arms reduction could be accomplished. The authors of this book explore the problems of arms competition in the 1980s and stress the need for a complete reassessment of U.S. security interests lest negotiations become curiously disconnected from defense policy. To protect national interests, they...