From Komisarjevsky in the 1920s, to Cheek by Jowl's Russian 'sister company' almost a century later, Russian actor training has had a unique influence on modern British theatre. Russians in Britain, edited by Jonathan Pitches, is the first work of its type to identify a relationship between both countries' theatrical traditions as continuous as it is complex. Unravelling new strands of transmission and translation linking the great Russian emigre practitioners to the second and third generation artists who responded to their ideas, Russians in Britain takes in: Komisarjevsky and the British...
From Komisarjevsky in the 1920s, to Cheek by Jowl's Russian 'sister company' almost a century later, Russian actor training has had a unique influence...
What is 'performance'? What are the boundaries of Performance Studies? How do we talk about contemporary performance practices today in simple but probing terms? What kinds of practices represent the field and how can we interpret them? Combining the voices of academics, artists, cultural critics and teachers, Performance Perspectives answers these questions and provides a critical introduction to Performance Studies. Presenting an accessible way into key terminology and context, it offers a new model for analyzing contemporary performance based on six frames or perspectives:...
What is 'performance'? What are the boundaries of Performance Studies? How do we talk about contemporary performance practices today in simple but pro...
From Komisarjevsky in the 1920s, to Cheek by Jowl's Russian 'sister company' almost a century later, Russian actor training has had a unique influence on modern British theatre. Russians in Britain, edited by Jonathan Pitches, is the first work of its type to identify a relationship between both countries' theatrical traditions as continuous as it is complex.
Unravelling new strands of transmission and translation linking the great Russian emigre practitioners to the second and third generation artists who responded to their ideas, Russians in Britain takes in:
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From Komisarjevsky in the 1920s, to Cheek by Jowl's Russian 'sister company' almost a century later, Russian actor training has had a unique influe...