Richard III is one of Shakespeare's most popular plays on the stage and has been adapted successfully for film. This new and innovative edition recognizes the play's pre-eminence as a performance work: a perspective that informs every aspect of the editing. Challenging traditional practice, the text is based on the 1597 Quarto which, brings us closest to the play as it would have been staged in Shakespeare's theater. The introduction, which is illustrated, explores the long performance history from Shakespeare's time to the present. The commentary gives detailed explanation of matters of...

The introduction reviews the few known facts about this early Shakespeare play and discusses the puzzling problems of its date and authorship. The text has been freshly edited with the aim of presenting the play as revised for the first recorded performance in 1594, with the addition of stage business from the prompt-copy from which the Folio edition derives.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most...

The most famous of Shakespeare's Roman tragedies, Julius Caesar was written and first performed in 1599, and was apparently one the plays his contemporaries enjoyed most. Recounting the death of Caesar on the steps of the Senate house, the play offers some of Shakespeare's finest scenes: Antony's skillful speech at Caesar's funeral, and the quarrel and reconciliation between Brutus and Cassius with the news of Portia's death. This edition includes a fresh consideration of the play's date and its place in the Shakespeare canon and examines how Shakespeare reshaped his sources (primarily...

A Comedy of Errors is Shakespeare's shortest play yet one of his most popular comedies. Here is a new modern-spelling edition, based on the 1623 Folio text with on-page commentary and notes that explain meaning, staging, language and allusions. A detailed and informative introduction describes the play's first performance at Gray's Inn in December 1594, its multiple sources and its uneven critical and theatrical history. Appendices include the complete text of the play's main source, Plautus' Menaechmi, and extracts from Gesta Grayorum and the Geneva Bible. Illustrated with production...

With its witty heroine Rosalind, who has the longest role of Shakespeare's female characters, As You Like It is Shakespeare's most light-hearted and most performed comedy. This edition includes numerous illustrations of productions and reassesses both its textual and performance history, showing how interpretations have changed since the first recorded production in 1740. It also examines Shakespeare's sources and elucidates the central themes of love, pastoral, and doubleness, and provides detailed annotations investigating the play's allusive and often bawdy language.
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This is the first new, full-scale edition of Cymbeline in 37 years. One of Shakespeare's final works, Cymbeline uses virtuoso theatrical and poetic means to dramatize a story of marriage imperiled by mistrust and painfully rebuilt in the context of international conflict. Roger Warren's commentary emphasizes the play's theatrical impact and pays close attention to its complex, evocative language.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to...

The introduction includes an examination of the Quarto and texts, and of the relationship between them; a critical discussion of the play's historical and literary sources; an examination of conflicting critical attitudes to the play, and of its fluctuating theatrical fortunes; and a demonstration of the range and variety of Shakespeare's characterization.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to...

One of Shakespeare's most rollicking and beloved comedies, The Taming of the Shrew was also one of his earliest, probably written about 1592. The introduction to this edition offers a full and original consideration of the play's textual problems, a study of sources, a survey of scholarship and criticism, with the editor's own critical appreciation, and a study of the comedy's fortunes in the theatre.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment...

Love's Labour's Lost, now recognized as one of the most delightful and stageworthy of Shakespeare's comedies, came into its own both on the stage and in critical esteem only during the 1930s and 1940s--after nearly three hundred years of neglect by the theater and misuse by critics. In this new critical edition, Hibbard pays particular attention to this process of rehabilitation. Based on the quarto of 1598, and drawing on recent scholarly analysis, he proposes that the quarto goes back, probably by way of a "lost" quarto, to an authorial manuscript that represents the play in a...

When a new play was required at short notice for a court occasion in 1597, Shakespeare created The Merry Wives of Windsor, a warm-hearted and spirited "citizen comedy" filled with boisterous action, situational irony, rich characterization--and the likes of Falstaff, Pistol, Mistress Quickly, and Justice Shallow. In his introduction and commentary, Craik examines a wide range of topics, including the play's probable occasion, its relationship to Shakespeare's English history plays and to other sources, its textual history, with particular reference to the widely diverging 1623 Folio and 1602...