In this important book, Ken Gelder offers an account of popular fiction as a distinctive literary and cultural field, tied directly to the logics and practices of entertainment and industry.

New Vampire Cinema lifts the coffin lid on forty contemporary vampire films, charting the evolution of the genre. Ken Gelder's study begins by looking at Francis Ford Coppola's Bram Stoker's Dracula and Fran Rubel Kuzui's Buffy the Vampire Slayer and then examines what happened afterwards, across a range of reiterations and settings: the suburbs of Sweden (Let the Right One In), the forests of North America (the Twilight films), Mexico (Cronos, From Dusk Till Dawn), Japan (Blood: The Last Vampire, Vampire Hunter D:...