Who's better? Billie Holiday or P.J. Harvey? Blur or Oasis? Dylan or Keats? And how many friendships have ridden on the answer? Such questions aren't merely the stuff of fanzines and idle talk; they inform our most passionate arguments, distil our most deeply held values, make meaning of our ever-changing culture. In this book, the author asks what we talk about when we talk about music. What's good, what's bad? What's high, what's low? Why do such distinctions matter? Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, Simon Frith takes these...

This companion presents a kaleidoscopic view of the world of pop and rock. Expert writers follow the rise of fifteen global stars from Elvis to Public Enemy, Nirvana to the Spice Girls. They chart the changing patterns in production and consumption, and they trace the way new technologies have changed the sounds and practices of pop. Alive to areas of current debate, they also focus on issues such as race and ethnicity, politics, gender and globalization. The anthology contains profiles of major figures from the pop and rock field. But at the heart of this companion is the music itself--rock,...

Copyright lies at the very heart of the music business. Copyright law determines the social framework in which music is marketed, artists are rewarded, and all the uses to which their work is put are licensed. And copyright claims and counter-claims are the source of recurring conflict. Who wrote what and when? Who owns these sounds? What are you allowed to do with them? Disputes about copying and theft are becoming ever noisier with digital technology and the new possibilities of sampling, downloading and large-scale piracy. This book has been written to explain the copyright system to...

The late Jan Fairley (1949-2012) was a key figure in making world music a significant topic for popular music studies and an influential contributor to such world music magazines as fRoots and Songlines. This book celebrates her contribution to popular music scholarship by gathering her most important work together in a single place. The result is a richly informed and entertaining volume that will be of interest to all scholars in the field while also serving as an excellent introduction for students interested in popular music as a global phenomenon. Fairley s work was focused on the...

This volume publishes texts from the British Academy's 2013 and 2014 lecture programmes, which were posted to the online Journal of the British Academy in 2014.
The subjects covered include relic veneration in Confucianism, UK education policy, dyslexia, music as performance, Islamic fundamentalism, Charlemagne, economic modelling and 'What are Prime Ministers For?'
The editors are Professors Janet Carsten and Simon Frith, who are both Fellows of the British Academy. The authors are all recognised experts in their fields within the humanities and social sciences and the texts...

Classic sociological analyses of 'deviance' and rebellion; studies of technology; subcultural and feminist readings, semiotic and musicological essays and close readings of stars, bands and the fans themselves by Adorno, Barthes and other well-known contributors

The social history of music in Britain since 1950 has long been the subject of nostalgic articles in newspapers and magazines, nostalgic programmes on radio and television and collective memories on music websites, but to date there has been no proper scholarly study. The three volumes of The History of Live Music in Britain address this gap, and do so from the unique perspective of the music promoter: the key theme is the changing nature of the live music industry. The books are focused upon popular music but cover all musical genres and the authors offer new insights into a variety of...