Written in 1940 during Brecht's exile in Finland, Puntila is one of his greatest creations - to be ranked alongside Galileo and Mother Courage. A hard-drinking Finnish landowner, Puntila suffers from a divided personality: when drunk he is human and humane; when sober, surly and self-centred. The play contains some of the best comedy Brecht wrote for the theatre.

This translation by John Willett is accompanied by Brecht's own notes and relevant texts, as well as an extensive introduction and commentary by John Willett and Ralph Manheim, editor's of Brecht's collected...

Described by Brecht as 'a gangster play that would recall certain events familiar to us all', Arturo Ui is a witty and savage satire of the rise of Hitler - recast by Brecht into a fictional, small-time Chicago gangster's takeover of the city's greengrocery trade in the 1930s. The satirical allegory combines Brecht's Epic style of theatre with black comedy and overt didacticism.

Using a wide range of parody and pastiche - from Al Capone to Shakespeare's Richard III and Goethe's Faust - Brecht's compelling parable continues to have relevance wherever totalitarianism appears...

Everyone knows that Bertolt Brecht was one of the great 20th-century innovators in theatre - the literary-theatrical equivalent of a Picasso or Stravinsky - and Germany's greatest poet of the last century, but the playwright was also a dazzling writer of stories. Storytelling permeated his art as a dramatist; fundamentally in his plays he was a storyteller. This volume collects the complete short stories written by Brecht, including the prize-winning 'The Monster', and the fragmentary memoir ghost-written by Brecht, 'Life Story of the boxer Samson-Korner'. Brecht scholar Marc Silberman...