The experience of colonization and the challenges of a post-colonial world have produced an explosion of new writing in English. This diverse and powerful body of literature has established a specific practice of post-colonial writing in cultures as various as India, Australia, the West Indies and Canada, and has challenged both the traditional canon and dominant ideas of literature and culture.
The experience of colonization and the challenges of a post-colonial world have produced an explosion of new writing in English. This diverse and powe...
In Shakespeare's Tempest, Caliban says to Miranda and Prospero:
..".you taught me language, and my profit on't
Is, I know how to curse. "
With this statement, he gives voice to an issue that lies at the centre of post-colonial studies. Can Caliban own Prospero's language? Can he use it to do more than curse?
Caliban's Voice examines the ways in which post-colonial literatures have transformed English to redefine what we understand to be 'English Literature'. It investigates the importance of language learning in the imperial mission, the...
In Shakespeare's Tempest, Caliban says to Miranda and Prospero:
In this groundbreaking work, Bill Ashcroft extends the arguments posed in The Empire Writes Back to investigate the transformative effects of postcolonial resistance and the continuing relevance of colonial struggle. He demonstrates the remarkable capacity for change and adaptation emanating from postcolonial cultures both in everyday life and in the intellectual spheres of literature, history and philosophy. The transformations of postcolonial literary study have not been limited to a simple rewriting of the canon but have also affected the ways in which all literature can be read and...
In this groundbreaking work, Bill Ashcroft extends the arguments posed in The Empire Writes Back to investigate the transformative effects of postc...
