This is the first collection to be inspired and informed by the new films and archival material that glasnost and perestroika have revealed, and the new methodological approaches that are developing in tandem. Film critics and historians from Britain, America, France and the USSR attempt the vital task of scrutinising Soviet film, and re-examining the Cold War assumptions of traditional historiography. Whereas most books on Soviet giants have glorified the directorial giants of the golden age of the 1920s, Inside the Film Factory also recognises the achievements of popular cinema from the...

Stalinism and Soviet Cinema marks the first attempt to confront systematically the role and influence of Stalin and Stalinism in the history and development of Soviet cinema. The collection provides comprehensive coverage of the antecedents, role and consequences of Stalinism and Soviet cinema, how Stalinism emerged, what the relationship was between the political leadership, the cinema administrators, the film-makers and their films and audiences, and how Soviet cinema is coming to terms with the disintegration of established structures and mythologies. Contributors from Britain, America...

Higher education provision is an essential component (socially as well as economically) of modern social structures. The British Labour Party and Higher Education focuses on the development of the Labour Party's policy on higher education from 1945 to 2000. It analyses the rapid expansion and series of fundamental transformations in higher education and Labour's part in both shaping and reacting to them. The authors explore the historical evolution and Labour's varying policy initiatives in the period, and question the place higher education has occupied in the various strands of Labour...

Presents, in a concise form, a selection of Sergei Eisenstein's significant writings. The texts, drawn from the BFI's "Selected Works of Eisenstein," address subjects including sound, film language, and his theories of "montage." This reader provides an accessible introduction to Eisenstein's work.

This work maps the rich, varied cinema of Eastern Europe, Russia and the former USSR. Over 200 entries cover a varitey of topics spanning a century of endeavour and turbulent history from Czech animation to Soviet montage. It includes entries on actors and directors and key figures like Eisenstein.

Richard Taylor asks to what extent the film can lay claim to "authentic" history. He then examines "October"'s relationship to the politics of the period and explains the theory and its application, as well as placing "October" in the wider context of Eisenstein's career.

This is a new, substantially revised and enlarged edition of Richard Taylor's work on propaganda and film in Soviet Russia and Nazi Germany. Taylor examines how each government used the cinema's potential for mass political propaganda, analyzing and discussing films which exemplify important aspects of propaganda in process, and which are available for viewing. For this new edition, Richard Taylor makes use in particular of the flood of new material emerging from the former Soviet Union to examine two further classic Stalinist films. Grigori Alexandrov's musical comedyThe Circus (1936)...

Thought by many to be the greatest film ever made, ""The Battleship Potemkin"" directed by Sergei Eisenstein is a key film in the history of Russian and world cinema. Based on a mutiny in Odessa during the 1905 revolution, the film is noted as a pioneering milestone in the development of world cinema--especially Eisenstein's breathtaking editing.

First Published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.