The book shows the connections between Japanese historical avant-garde movements and new Japanese experimental films. The author provides insight into the development of Japanese avant-garde visual culture and experimental aesthetics, also featuring the expanded cinema after 2000. The author focuses on the detailed presentation of the chosen aspects, artists and films of the Japanese avant-garde from its origins to the post-2000 period. The analysis is built around themes, objectives and aesthetics introduced by such artists as Shuji Terayama, Takahiko Iimura, Masao Adachi, Takashi Ito,...
The book shows the connections between Japanese historical avant-garde movements and new Japanese experimental films. The author provides insight into...