A close analysis of the work of Brazilian artist Ernesto Neto reveals the fundamental stakes of a contemporary art in the process of undoing the image-form. The first volume of Eric Alliez and Jean-Claude Bonne's major work on contemporary art begins by outlining their exploratory and speculative project: not so much to produce a new "philosophy of art" as to enter into a space in-between philosophy and art-between a contemporary philosophy of contemporary art and an art contemporary with contemporary philosophy. But what exactly is the "contemporary"? And how can we make ourselves,...